An interesting pressbook for The Man Without a Body (1957) and Fright (1956), "the twin terror show that tops them all." The cover is a quick cut and past job, but it does the trick, and there are two 4-page inserts, one for each movie, and each 11 x 17 inches in size.
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This eye-grabbing 4 page French pressbook for Abbott and Costello Meet Frankenstein is being auctioned on emovieposter.com (ends Sunday night). I was going to bid on it, but the bidding is hot and heavy, and going to a level I didn't expect. The centerfold impresses with its layout, especially with the red ink highlights.
I ordinarily shy away from collecting 4 page pressbooks because they rarely have any substance, but this double bill pressbook for Night of the Bloody Apes (aka La Horripilante Beastia Humana, 1969) and Feast of Flesh (aka Blood Feast, 1963) grabbed my attention with its exquisitely primitive scratch illustration (that rips off King Kong), and the "spare body-part" promotion flyer insert.
Every decade's worth of movies has its Jar Jar Binks kind of misguided character design. Here's the pressbook for The Giant Claw. And you thought Jar Jar was funny-looking.
Don't laugh, this 1970 "first sex-horror" movie (La Rose Ecorchee) has a 6 rating on IMDb. So there. The pressbook is a 6 page foldout, 9 x 12 inches in size. Pretty much the same size as that furry dwarf with the menacing spear.
Here's the 6 page foldout, 12 x 18 inches, pressbook for Universal's double bill, Curucu, Beast of the Amazon, and The Mole People. Sweet.
Here's the movie pressbook for Weird Woman (1944)). A less than stellar remake in 1980, Witches' Brew, starring Teri Garr and the tall man himself, Angus Scrimm, doesn't conjure up as much deviltry. How could it without Lon Chaney, Jr?
A few small ad mat cuts, but otherwise all here. Blood Bath's poster artwork condemnable with its sadistic victimization. Tagline's no walk in the park, either. Hostel seems mild in comparison.
Here's a wonderful pressbook for a good movie that was lost in the shuffle from classic monster to classic sci fi in the 1950s. For me, John Agar epitomized the 1950s sci-horror everyman who showed equal measures of tupperware party simplicity and cool smarts.
In the 1960s I spent hours in the basement running my film projector, playing all of my Castle Films and Republic small reel movies. Adventures of Captain Marvel was my favorite mini-movie. I had to splice the celluloid together now and then with scotch tape, but I did get a lot of use out of it. Just think, all 12 chapters condensed into a few minutes running time. Now that's editing.
Ronald Stephenson informed me this booklet is one of several published by Jack Mathis in the late 60s or early 70s. Mathis wrote Valley of the Cliffhangers and Republic Confidential. His Valley of the Cliffhangers Supplement gave the chapter by chapter synopsis and cliffhanger photos for all 66 Republic serials.
