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Goliath Peplum Radio Spots

goliath and the barbarian steeve reeves photo
Steve Reeves flexes his mighty arms and wins the “Test of Truth” against two horses.

Myths, muscles and movies.

That’s what I call ‘em. Others call them Sword and Sandal movies and some just call them “Peplum” movies – Italian-made spectacles dubbed into English and given new names. Whatever you call them, I venture to say that you know what I am talking about and have probably seen your fair share of them.

Crazy Gary, here, and Granny wanted me to be sure to feature these spots because she knows how much these movies mean to me.
Every monsterkid worth his or her salt grew up watching these movies either at the movie theater, the drive-in, or later on TV. And why not?  It featured a muscular hero, gorgeous women and, usually, one or more monsters or beasts. The guys identified with the hero, and the women swooned over his body and wished they could be the damsel in distress that he rescues.

Although filmed in Italy and surrounding picturesque locations, the heroes were generally American bodybuilders or physique models, and just reading their names on the posters and seeing the spectacular artwork promised a grand adventure. Most popular were Gordon Scott, Brad Harris, Mark Forest, Ed Fury, Gordon Mitchell, Reg Lewis, Dan Vadis, and the all time favorite, Steve Reeves. Also included were Englishman Reg Park, and Italians Sergio Ciani (Alan Steel) and Adriano Bellini (Kirk Morris). The movies were colorful, epic, and full of feats of strength.

The radio spots were colorful too, promising the viewer sights never before seen. Surprisingly, despite Granny’s best  collecting efforts and those of The Radio Reaper, few are available. Even so, what we do have will be broken down into two parts.

The two movies I want to highlight this week represent the best, in my opinion, of capturing the spirit of the genre, and are two of my personal favorites, both released by American International.

First up is Steve Reeves’ fourth movie, Goliath and the Barbarians, released in late 1959. The most memorable scene in the movie is when Emiliano (called “Goliath” because of his strength) is tied between two horses going in opposite directions in an attempt to pull him apart. No such success, however, as Emiliano exerts his strength in an impressive double-biceps shot. He passes this “Test of Truth” and is released, only to later return and lead a revolt against the barbarians. Chelo Alonzo is the barbarian beauty he falls for and who complicates things with his people. Les Baxter added a new music score and his “Goliath March” added a sense of grandeur and spectacle.

goliath and the vampires movie poster

The second, and my personal favorite of all the sword and sandal movies, is Goliath and the Vampires (1961) starring Gordon Scott. It has everything: feats of strength , an evil vampire creature, giant bugs, atmospheric scenery, creepy sound effects, blue men, faceless humanoids and the inspiring “Goliath March” music theme. It also features an awesome battle between Goliath and Kobrak the vampire who has assumed Goliath’s form. Muscular stuntman Giovanni Cianfriglia doubles Gordon Scott as he fights himself. Thanks to The Radio Reaper for furnishing these four classic spots.

These movies inspired many young moviegoers to take up the weights and embrace the fitness lifestyle, myself included. Today, they are still fun to watch.

So, sit back and enjoy these spots which reflect back to a time when men were men and women were glad of it. See you next time with Part Two…

Goliath and the Barbarians Radio Spots

Goliath and the Vampires Radio Spots

goliath and the vampires with gordon scott picture
Gordon Scott as Goliath unmasks Kobrak who has disguised himself to look like Goliath in the climactic battle. Giovanni Cianfriglia portrays Kobrak here, and he went on to become Steve Reeves’ stunt double in many later features including Morgan the Pirate, The Trojan Horse, and The Slave.

Michaels Halloween 2024 Spotted

Michaels Halloween 2024 merchandiseEmbracing the Halloween spirit (and dollars) well before the frost is on the pumpkin, Michaels unveils its oodles of oddities for Halloween 2024. This year there’s a decidedly wilder color scheme, a lot of white gothic to even out the black, and monstrous (some monsterkids may say blasphemous) humor to be found in the old standbys, Frankenstein and Dracula.

One of these days I’m going to set up a huge Lemax Spooky Town village, I swear it. The smoke and mirrors magic shop is awesome! Put it next to the Phantom Castle and you’ll want to keep it out all year. A walk through the Halloween aisles at Michaels is always rewarding.

Nice to see they are continuing with the blow molds, and the black cat with pumpkin is always a good bet to light up your living room.

The Birds Radio Spots
Part 2

Alfred Hitchcock with raven publicity still“How do you do, ladies and gentlemen. Once again this is the ghost of Alfred Hitchcock welcoming you back to Granny Creech’s Radio Spot Crypt and Part Two of The Birds. I was thinking that Granny’s nephew, Crazy Gary, would be here to help me introduce these radio spots, but he is over in the corner, cowering in fear after listening to last week’s spots and the ones you are about to hear. He keeps mumbling incoherently and is just a pile of mush at the moment.

“As promised last week, we are now going to feature the radio spots for The Birds that aired on local radio stations prior to and up to the arrival of the movie at the theater. The lobby spots from last week whetted the appetites of theater goers who heard them while they stood in line at the theater. Now, The Birds was here to be seen.

“I hope you enjoy them and that they don’t cause you too much mental anguish. From now on, when you see these little feathered friends of ours flitting past you in the parks or in the streets, just keep telling yourself, ‘It was only a movie, it was only a movie.’ It may help.

“And so, until we meet again, may all your nightmares be pleasant. With that, I bid you adieu.”

 

Hitchcock on set with cast during filming of the birds
Alfred Hitchcock prepares the cast for shooting the finale of the movie.

Do you have any radio spots you would like to share? Contact Gary (Granny’s nephew) at [email protected].

The Horror of Party Beach
and The Curse of the Living Corpse
Double Bill Pressbook

This double bill pressbook, well, It Came From Hollywood. The Horror of Party Beach kicks some sand into the faces of those wacky beach party movies, having some fun while doing so. In The Curse of the Living Corpse, rich grandpa (okay, I’m taking a bit of license here) comes back from the dead to kill off his relatives who apparently didn’t read the fine print in his will.

Both movies were double billed for balcony-minded teens (or the drive-in types too). In the early days of movies, when the studio system was still viable, you had your A movie usually paired with a B movie, a cartoon, a live stage show, and a newsreel, along with trailers. So double billing wasn’t new. American International Pictures (AIP) took the practice and revived it, and changed it. They made both movies on the double bill equal. They came as a complete package. There was no A or B movie, just two movies advertised equally. That came about more as a defense against television, which was stealing away the audience and locking them up at home. But the pricing scheme and distribution idea worked very well, for both the theaters and AIP.

By 1967 the American theater newsreel was dead since television had the handle on more timely news, and kid shows on the boob tube (I vaguely recall watching Howdy Doody) forced theater cartoons off the screen by the early 1980s. I recall my dad taking me to see a single feature movie (don’t remember which one) and a cartoon popped up, which was a nice surprise. At the end of the cartoon he turned to me and said “I don’t get it. What’s the moral message.” I looked at him. Growing up, for me, and every other kid on the block, moral messages were not a primary goal for watching cartoons. I shrugged my shoulders and we watched the main feature. Sadly, I grew up too. It happens.

Due to the pressbook page sizing, two pages were scanned twice to show tops and bottoms. So no, you’re not seeing double.

horror of party beach and curse of the living corpse double bill pressbook

The Birds (1963) Pressbook

Hitchcock had mentioned the birds rise up against humans because they are fed up with us. Given how badly we’ve messed up the planet, I’m expecting The Birds to become a reality any day now. Much of nature seems to be gunning for us these days. Back in the the 1970s there were a slew of movies depicting how mother nature turned into a mean bitch. From Frogs to Long Weekend to Soylent Green, we’ve been told this story again and again. But Hitchcock makes it pretty terrifying indeed. This 40-plus page pressbook for The Birds is a showman’s dream. Like William Castle, Alfred Hitchcock liked to play pitchman to his movies, and appeared to have fun doing so. The 6 foot standee of Hitchcock in a bird cage is awesome. Now my life won’t be complete until I find one.

ComicRack reader version: Download The Birds Pressbook

Before you fly away, see more pressbooks from Zombos’ Closet.

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The Birds Radio Spots

Alfred Hitchcock publicity photoGreetings once again…

Crazy Gary here filling in for Granny Creech.

I was working in the Dead Letter Office when I had a brainstorm.  Now, Granny would say anything in my brain is a storm, but that’s not what I meant. She had given me a list of the spots she wanted to include during her absence, so I decided to invite an old friend of the Radio Spot Crypt to come and help out. He has had many letters pile up here in the post office so I thought it was time for him to come pick them up and help me out while he was here…sort of killing two birds with one stone, so to speak.

He agreed, and so, I will turn over this week’s introduction to him…

“Hello, ladies and gentlemen, this is the ghost of Alfred Hitchcock. I am delighted to be here once again at Granny Creech’s Radio Spot Crypt. It has been awhile since I was last here, and I am humbled to see the mail response to my last visit when I presented the radio spots to Psycho. This time I shall attempt to go one step further and present spots to what I believe could be the most terrifying motion picture I have ever made: The Birds.

“At the request of Granny Creech’s most capable and somewhat neurotic nephew, Crazy Gary, I have broken down these spots into two offerings: This week I will feature advance and current lobby spots, those delightful little tidbits designed to fill waiting theater patrons with uncontrolled excitement over the arrival of my movie at the theater; the second installment for next week will feature the spots designed to play on various radio stations in the area to alert the theater-going public that The Birds is here.

“And so, without further ado, I, and Crazy Gary, encourage you to check your doors and windows and ensure that your chimney flue is closed as we present the lobby spots for the 1963 release of The Birds. We hope you get a kick out of them.”

 

 

 

Alfred HItchcock The Birds publicity photo, on set

 

The Birds movie poster

Do you have any radio spots you would like to share? Contact Gary (Granny’s nephew) at [email protected].

The Terror of the Tongs (1961) Pressbook

As noted in The Hammer Vault: Treasures From the Archives of Hammer Films by Marcus Hearn, the Kinematograph Weekly stated “the principal ingredients are sex, revenge, mystery and murder and a talented and attractive cast vigorously churns them into exciting screen chop suey.” Hearn goes on to describe Christopher Lee’s return from a sunny vacation on the first day of shooting causing issues for the makeup team: he had a nice tan. Hammer’s board of directors also delayed the film’s opening date “considering the film to be below par.”

But I like it. I find Lee’s Fu Manchu-like performance (The Face of Fu Manchu followed in 1965), while rightfully questionable today, is still quite fear-inducing.

The film’s U.S. release, care of Columbia, for which it was again billed with Homicidal, had occurred a few months earlier on 15 March (though for some Stateside dates, Tongs played with The Warrior Empress [1960] or Hammer’s Sword of Sherwood Forest [1960], the latter of which must have made for a curious double bill). Hammer Complete: The Films, the Personnel, the Company, Howard Maxford, McFarland

terror of the tongs british pressbook

The Love Bug Ad Pad

The Ad Pad supplement usually came with the movie’s pressbook. It contained the print adverts for the movie that could be used in newspapers. Newspaper advertising was king before the internet took over movie promotion. Each ad pad contained a range of sizes and alternative poster art and wording to promote the movie. The theater manager would place an order for the flong that matched the advert they wanted to use. Once they had it in hand, it went to the newspaper to print the advert from it.

What makes this ad pad special is the Final Billing Requirements on page 9. The table gives a rare insight into the legal aspects of displaying cast and production credits after contracts are signed. It Came From Hollywood is not only an AIP fan, but they love Disney too and were kind enough to supply these images.

the Love Bug movie ad pad

The Love Bug (1969)
Re-release Pressbook

Here’s the 1978 re-release pressbook for The Love Bug from It Came From Hollywood. Paul at ICFH writes “Disney for the win, again! Nothing is more satisfying in the annals of movie marketing and showmanship than a Disney Pressbook. It features Fabric-backed Ad Pad pages and a pressbook filled to the brim with every possible angle of showmanship, along with yet another fantastic full-page coloring contest sheet.”

I agree. The Disney pressbooks are always jam-packed with promotion and commercial tie-ins, making them a fun read. (ZC Note: I’ll post the Ad Pad separately.)

the love bug movie pressbook 1978 re-release

Abbott and Costello Meet the Killer,
Boris Karloff
The Radio Spots

Greetings, one and all.

Crazy Gary here, filling in for the ever vivacious and witty Granny Creech. I am her much-loved nephew and I work in the Dead Letter Office at the post office in Squirrel Hollow.

Granny’s mother, Hattie Jones, suffered a stroke recently and is in the intensive care unit in the hospital in Geyser Springs. Granny went to be with her.  Before she left, she told me to carry on her weekly radio spot column, and I agreed, hesitatingly of course, because I don’t have the way with words Granny does nor her knowledge. I told her I would do the best I could. She patted me on the head and said I would do okay. I just wish she hadn’t had that hammer in her hand when she did it. Ha Ha. Just kidding.

Granny gave me a tentative list of the spots she wanted me to cover, and there are some good ones, believe you me. I just hope she gets back in time to do them justice. Until then, though, I will do the best I can.

Today we will feature radio spots for a movie I have never seen. It’s a 1949 comedy murder-mystery feature from Universal International called Abbott and Costello Meet the Killer, Boris Karloff.

Now I’ve seen several Abbott and Costello movies in the past, but this one has always escaped me. My favorite, of course, is Abbott and Costello Meet Frankenstein (Isn’t it everybody’s?!), a classic in every way. I had to look up the synopsis for this one on Wikipedia to see what it was all about and it sounds very confusing…a typical ‘who-dunnit’ with lots of suspects and the patsy, of course, being poor old Lou Costello. The odd part about all of this is the title of the movie. From the synopsis I see that the killer isn’t Boris Karloff at all, and why he is billed as such is a mystery to me. Even the radio spots can’t decide the proper name for the film, announcing it in some cuts as Abbott and Costello Meet the Killer. It must have been a ploy by the marketing department to capitalize on Karloff’s reputation and drawing power.

The spots are some of the oldest Granny has, and she said to thank The Radio Reaper. He dug deep into his reliquary to provide these. An audio rarity to be sure…

So, as Granny would say, sit back and enjoy these spots from 1949, and give a toast to The Radio Reaper the next time you meet with friends to enjoy cups of  Granny’s witch’s brew.

I’ll see you next time…

15, 30, and 60 second radio spots

 

Do you have any radio spots you would like to share? Contact Gary (Granny’s nephew) at [email protected].

Abbott and Costello
Meet the Killer, Boris Karloff
(1949) Pressbook

I was watching Abbott and Costello Meet the Invisible Man last night. I still chuckle at the silly gags. That made me start thinking I’d like to catch Abbott and Costello Meet the Killer, Boris Karloff, so I pulled out the pressbook to prepare. There is nothing more so 1940s than seeing Boris Karloff or Bela Lugosi wearing a turban and tux. The article titled Karloff Still Haunted by Monster Role is worth a gander.

ComicRack and YakReader version:  Download Abbott and Costello Meet the Killer .

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