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Target Earth (1954) Pressbook

One of my guilty pleasures, Target Earth lacks an army of robots (they made only one), lacks a good budget to sell the invasion angle, but does provide drama between the players who must survive the (did I mention only one) robot’s deadly intentions as well as those of the psychopath in their midst. Later movies, from zombies to aliens, would play up on the dealing-with-the-threat-from-without-and-within theme. While the robot isn’t designed all that well by today’s standards, it does create menace and has that 1940s/50s esthetic that I do find endearing. The pressbook is a tidy little number with enough articles, promotion, and poster art to help sell the movie. And, repeat after me, “beaverboard.” The pressbook mentions taking the 6-sheet poster, mounting it on beaverboard, and placing a flashing red light where the robot’s eye-panel is.  Whew. That would have been killer in the theater lobby.

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You don’t need to go to Target to see more pressbooks from Zombos Closet.

Target Earth Pressbook 01

The Red Ace (1917) Pressbook

The Red Ace pressbook, which is the oldest one in my collection so far (from 1917), is one of the most beautifully conceived pressbooks I’ve seen, with wonderful use of color, graphics, and text fonts. Size-wise, it’s rather small at 12.5 x 7 inches, but it packs quite a visual wallop; and, certainly, that old world, flourishy, charm in its design is nostalgic.

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Red Ace Pressbook 01

Undersea Kingdom (1936) Pressbook

If it wasn’t Mars blasting the earth’s atmosphere with deadly rays it was an undersea or other hidden kingdom threatening doom with a disintegrator ray. Ah, the good old days when global warming wasn’t a problem; just evil minions and their maniacal leaders who apparently had little else to do but make trouble for everyone on earth. Mystery Science Theater 3000 can mock this movie all they want, but it’s still a wild ride with its mishmash of whatever costuming was available from the wardrobe department, and creative model work, and the volkites (tin can robots), all done  on a shoestring budget. As for scientific gadgets, the Reflector plate is very interesting mostly because the concept was used again in Star Trek’s Mirror Mirror episode with its Tantalus Field: a device that could see and hear anyone at any time, with a handy press-here-to-disintegrate button. There’s also the Invisible Wall of Atom Rays that acts a lot like the Enterprise’s shields. So make fun all you want: a fair amount of later science fiction staples came from this and other serials. This pressbook is huge at 13 x 20 inches and contains a lot of promotional material to get the kids into the theater.

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Undersea Kingdom 01

The Lone Ranger and
the Lost City of Gold
Mexican Lobby Card

This 13.75 x 28.25 inches poster-sized Mexican Lobby card for The Lone Ranger and the Lost City of Gold (El Llanero Solitario y La Ciudad Perdida de Oro, 1958), is exciting, colorful, and certainly makes me want to see the movie. While the Lone Ranger is considered too corny now for a decent revival in cinema, growing up watching him on television, with George Reeves' Superman, was fun. The travesty of Johnny Depp playing Tonto (originally done by Jay Silverheels) as a weird joke is unforgivable. What's weird and corny about two people seeking and working together for justice? One of Jay Silverheels' homes was in Brooklyn, off of Bay Parkway, just a little ways from where I was growing up in Bensonhurst. I often passed his house with the beautiful window displaying his Native American pride. I don't recall him doing conventions–at least not the ones that I attended in the 1970s.

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Tarzan’s Deadly Silence (1970)
Mexican Lobby Card

Exciting illustration and inset scene makes this Mexican lobby card for Tarzan en El Silencio De La Muerte, an eye-grabber. Interestingly, there's archive footage of Jock Mahoney, who also played Tarzan, to help lessen the budget, even though this movie was already edited from two episodes of Ron Ely's 1960s Tarzan television series. Is it me, or does that lion look a bit like the ID Beast from Forbidden Planet?

Tarzan en el silencio de la muerte

The Angry Red Planet (1959) Pressbook

With an amazingly low budget of anywhere from 200,000 to 500,000 dollars, of course they would come up with some gimmick to help cut corners. Enter cinemagic, a way to tint scenes of Mars a strong saturated red, thereby hiding the cheap budget by lessening details you would not see anyway. The rat-bat creature stalking the astronauts (well, more or less, given the budget), was a pretty good and effective design; enough so that Cloverfield‘s (2008) New York invading alien would have similar attributes. Carnivorous plants, a one-eyed amoeba (I always smile, because it makes me think of Zacherle the Cool Ghoul) , the rat-bat creature, and an unfriendly three-eyed Martian (just pops up now and then), provide the action as cinemagic does its best to provide the red colorization (though the process was more involved because it used solarization).

Here is the pressbook. It focuses on poster art to sell the movie as well as TV and radio ads. And, of course, it touts the CineMagic gimmick.

You don’t need to travel to Mars to see more pressbooks from Zombos’ Closet.

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Angry Red Planet Pressbook 01

Tarzan’s Desert Mystery (1943)
Mexican Lobby Card

Here's a rather large, 15.5 x 22.5 inches, Mexican lobby card for Tarzan's Desert Mystery movie (Tarzan el Temerario). What differentiates this from being a small poster instead of a lobby card is the inset movie scene. Interestingly, the inset scene is about the only thing from the movie on this lobby. The other scenes appear to be illustrations taken from various sources, but not ones based on the movie. These types of lobbies were printed on slick, thinner paper, and are for later runs of the movie in theaters.

Tarzan el temerario

 

Queen of Outer Space (1958)
Pressbook

As a kid watching this on my black and white television, I admit I was both fascinated and bored at the same time. Abbott and Costello had more fun with the concept in their Abbott and Costello Go to Mars (1953). I will quickly sum up this baby by saying it’s Zsa Zsa Ga-Boring. But a saving grace is seeing costumes and props used from other more exciting movies, like Forbidden Planet. Interestingly, Wikipedia mentions the Queen’s guard costumes’ colors may have influenced Star Trek. The pressbook is not too shabby. Note the radio AND television promotions. TV was starting to become less astronomical, so it warranted attention to help sell seats.

Luckily, YOU do not need to be a queen to see more pressbooks from Zombos’ Closet.

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Queen From Outer Space Pressbook 01

The Halloween That Almost Wasn’t

Halloween 2021 is looking a little pale. Yes, it is only early September, but that is the point. Shelves, normally stuffed with decorative tricks and treats, have been slow to fill. Candy, of course, always the true king of Halloween, is popping up, but even it seems reluctant to do so.

My recent trip to Walgreens showed a lot less candy and much less spirited shelves for Halloweeny fun. Much of the action has been online as people buy up the cool ghoulie items from Target and Michael's, carefully avoiding any pandemic woes; and with distribution of merchandise at a crawl (where did all the truck drivers go?), I do not expect much in the way of wow and pizzaz for Halloween in the stores. But time will tell.

I did see the usually large and groovy gruesome at Home Depot, although Lowe's seemed anemic with their showing, so far, in comparison. Michaels had a pallbearer's worth of items, but certainly nothing compared to last year at this time. And there was no signature Lemax Spooky Town display set up, though I vainly looked for it. I had to purchase the Web of Terror ferris wheel from their online website. Certainly not the ghost of Michael's past when it comes to Halloween that I have come to expect.

Perhaps this year will be the Halloween that almost wasn't or perhaps I am being too worrisome. With limited supply and high demand, I still expect little creatures to crawl through the streets come Halloween day, but how many will dare to scare remains to be seen. The suspense is killing me. Here is some of this year's Halloween cheer to scream the year for you.

Home Depot always kills with the large lawn decorations and creepy smaller children of the night to deaden any party. Of note is the gondola with Charon. I'd take a ride in that myself; just not one way.

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Johnny Weissmuller in Jungle Moon Men (1955)
Pressbook

The Jungle Jim pressbooks were usually a six-page foldout. I scanned the pages in the order you would see them when initially opening the pressbook. The JJ series had a long run of B (perhaps more C) movies to fill theater screens when patrons would spend hours at the theater; unlike today, where you pay a lot of money to see one movie. I'm sure lots of parents would "dump" their kids at the theater for a few hours so they could experience some freedom from parental duties. William Castle took very good advantage of that with his horror movies and their gimmicks. I pity the poor theater crew that had to clean up the mess after Emergo, after kids used the skeleton for target practice with anything at hand they could toss. Oddly enough, due to copyright issues, Johnny Weismuller's name replaced the Jungle Jim handle. Hence the reason the pressbook says Johnny Weissmuller in Jungle Moon Men. He played himself in the movie. This entry leans toward the fantastical, with an immortal Moon Goddess, pygmies that worshipped her (the Moon Men), and a hidden treasure. Wikipedia notes that plot elements were taken from She: A History of Adventure by H. Rider Haggard.

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Jungle Moon Men Pressbook 01

Jungle Jim in Savage Mutiny (1953) Pressbook

Johnny Weismuller (who played Tarzan) did 16 Jungle Jim movies. While his acting style lacked much (though it made him perfect for Tarzan), the usual jungle mischief would provide the action. In this one, the locals need to relocate so an atom bomb test can go off and destroy their homes and livelihood. And I’d think much of the jungle animals too, for that matter. Those 1950s were tough.

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Savage Mutiny Pressbook 01