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The Science Fictionary
Book Review

Science fictionary bookZombos Says: Good

This book review first appeared in The Horror Zine.

While writing this review I glanced over to my bookshelves. I am an all-day sucker for reference books, dictionaries of this or that, encyclopedias, guides, and all popular culture compendiums. Right off the bat, I spied The Dictionary of Satanism, The Dictionary of Imaginary Places, and Brave New Words: The Oxford Dictionary of Science Fiction. Out of sight were the Doctor Who and Star Trek dictionaries, and a dozen or so similar books invaluable to any writer or reader of any fictional universe.

The Science Fictionary by Robert W. Bly is a needed addition to the reference shelf with essential tidbits, descriptions and definitions across its pages, fostering those neat nostalgic flashbacks or wonderful new explorations into the many threads that weave the fabric of our literary and cinematic cultures. The strength of Mr. Bly’s work is that he has the temerity to include horror and fantasy along with the science fiction. Honestly, although horror makes the hard money, it is science fiction that usually brings prestige; and fantasy often splinters between both, creating a pivot that can go either way. Science fiction dictionaries focus mostly on literary sources, too, which can all be very snobbish indeed. Bly goes against such convention and his ambitious undertaking finally brings the whole media family together, creating a more rewarding and enriching experience for the modern, multi-faceted fan, who realizes one does not live by just science fiction or fantasy or horror, but is enriched by all three.

Pulling from rich sources that include movies, books, mythology, and television series, there are entries like my childhood favorite anime, ‘Tobor’, the 8th Man, a robot who ‘smokes’ cigarette-like power cells to recharge, and ‘Ubik’, an aerosol spray that gives people new vigor and energy. The Oxford Dictionary of Science Fiction does not mention these. It also does not mention ‘Asphyx’ or ‘Drakulon’, but Bly does. Any knowledgeable comic book fan knows that Drakulon is Vampirella’s home planet. And for anyone into odd, little known horror movies, the Asphyx is the aura that surrounds people just before they die and also refers to the name of the creature ready to snatch it away (as well as the title of the movie). Bly may make some new fans by including such entries.

His entries vary between common inclusions and ones you may not find elsewhere. His writing style is concise and leaves out dates and extensive source citations, making for a more casual reading focused on explanations. At times, those explanations could use a little more depth. For instance, reading the ‘Jefferies Tubes’ entry, while the description notes they are maintenance conduits aboard Starfleet vessels, the origination of the term is missing but important. An extra sentence pinning that unique set design to Matt Jefferies, who designed the original Enterprise, is an important acknowledgement. The same can be said for the ‘Dalek’ entry, where Peter Nation, who thought of the famous cyborg enemy of Doctor Who, along with Raymond Cusick’s stark design, should also be cited. But then Bly goes one better than the Oxford Dictionary of Science Fiction by giving a better description of the Daleks and even mentions Davros, their infamous creator.

If you are thinking that today’s internet, Wikipedia, and various online fan-related dictionaries and resources make books like The Science Fictionary obsolete, you would be wrong. Way wrong. Pick up a copy, either print or digital, page through it, highlight the new and relish the familiar, but explore its pages. You may just hear the words of Carol Marcus in the Wrath of Kahn: “Let me show you something that will make you feel young as when the world was new.”

Having all that science fiction, fantasy, and horror information finally in one book, at your fingertips, may just be that exhilarating for you.

Cat People (1942) Pressbook

Cat People is the movie that proves B movies can be awesome. "It all takes place in a wickedly enchanted 1942 New York City, where a leopard screams at night in the Central Park Zoo (“like a woman,” says Irena). Seventy-two years after its shoot, Cat People still seems chillingly alive, a dark, sleek feline of a film, purring with Lewton’s two pet fetish fears—cats, and being touched" from The Very Witching Time of Night: Dark Alleys of Classic Horror Cinema by Gregory William Mank. 

Comics Reader version: Download Cat People

Cat People 01

Cinderella (1950) Campaign Book – B

You can see the Cinderella Campaign Book – A (pressbook) over here. This Campaign B part of the pressbook contains the amazing, and versatile, marketing tie-ins and promotions for the movie. Beginning with Mickey Mouse, Walt Disney saw the potential of revenue streams coming from the Disney characters. Starting with Snow White and the Seven Dwarfs, Disney’s movie merchandising simply exploded from that point on. Of course, toy tie-ins for his children’s fare did very well, while misfires like the toys for The Black Hole (1979), an ambitious if somewhat obtuse allegorical science fiction leaning on the darker side, scared the kids more than enthralled them. Disney’s best foray into the supernatural is the suspenseful The Watcher in the Woods (1980) with Bette Davis.

Comics Reader version: Download Cinderella Book B

Cinderella Book B 01

Cinderella (1950) Pressbook

This is the original release pressbook for Cinderella (1950).  It is noted as Campaign Book A because it was accompanied by Campaign Book B, which contained a record-making amount of merchandizing. I will post Book B, shortly. This one, with 20 pages of promotional goodness, is pretty amazing all by itself. Disney was incredible at tie-ins merchandising for all of their animated movies. After Pinocchio (too dark), Bambi (too real), and Fantasia (too cerebral) didn't do well at the box office, putting Disney in the red, Cinderella (just right with its struggling local girl makes good story) saved the day. 

Version for your comics reader: Download Cinderella Pressbook

There are more pressbooks to try on for size, From Zombos' Closet!

Cinderella 01

The Wizard of Oz Animated (1990)
Promo Brochure

Digging deep into the closet, I found this promotional brochure from Turner International for the animated Wizard of Oz (1990) television series. It is a simple pop-up when you open it, but eye-catching, nonetheless. I am a big fan of pop-up books (and who isn't?). In this animated version (and there were actually quite a few animated versions), Dorothy returns to OZ and kicks it up with old and new friends (and enemies).

Wizard of oz 04

Shaolin Wooden Men (1976)
Mexican Lobby Card

Back in the 1970s, to catch a martial arts movie, you had to find a theater running them. Those theaters were not your usual mainstream fare ones. This was also known as, oh yeah, go to Times Square in New York City and mind the theater seat you sit in, because you never know what they were playing before the Kung Fu movies hit the screen. Or you had to find a more offbeat theater running Bruce Lee, Jackie Chan (yup, a misspelling on the card) or some Chinese martial arts opus somewhere in the more interesting areas of the city. But boy were those movies worth it. Between the horror movies and martial arts movies, and the graffiti, it was certainly a colorful time for those seeking different cinema fare. This poster-like Mexican lobby card packs a nice punch with its illustration and inset action scene.

La serpiente contra los hombres de madera

Comixscene Doc Savage and The Shadow

From the first issue of Comixscene (1972), Jim Steranko's news and history newspaper for comics art, come this Doc Savage centerfold and The Shadow splash page. The centerfold has Steranko's Doc surrounded by images from other notable artists. The splash page is the image that netted Steranko's work for The Shadow with DC. Both are awesome. Comixscene was very much like The Monster Times, although with less graphics and more text for each article. In his comics work, Steranko brought a new, adult intensity to his layouts, characters, and action sequences, melding pop art elements within the comic page that were mind-bending and ground-breaking for young guys like me reading his Nick Fury Agent of S.H.I.E.L.D. My favorite memory of him is when I saw him during an early Phil Seuling-organized comic convention, behind his table, with two femme fatales at his sides. He was smartly dressed to the nines, and completely not conforming to the usual decorum for comic artists back then. I still don't know if he was doing a put on or he was serious, but man, he could draw like no one else so why not act like it? As I recall, he was also around my height (that would be…not tall), and he dabbled in escapology (which I was also doing at the time), so he reminded me of Houdini. He had the that tough, secure attitude too.

Steranko doc savage comic scene
Steranko shadow comic scene

El Secreto de Pancho Villa (1957)
Mexican Lobby Card

Here's an atmospheric larger Mexican lobby card (more like a small poster) for The Secret of Pancho Villa. The left and right skulls take the background as the dark-clothed mysterious masked figure, carrying the unconscious woman, takes the foreground. He is the hero, the Avenging Shadow. The layout is rough, but it has that cut and paste of highlights rush job aspect that is rather engaging because it is easy to take in. 

El secreto de pancho villa 01

Tip-Off Girls (1938) Pressbook

One does not live by horror movies alone. Sometimes a good crime melodrama, noir, western, fantasy, science fiction, guy movie, girl movie, kid movie, or documentary will do. This time around it's crime! The reason I found this pressbook so interesting was its use of pink and blue tones, and the fact that I like crime movies from the 1930s to 1950s. This one boasts a good cast with Larry "Buster" Crabbe, Anthony Quinn, Lloyd Nolan, Evelyn Brent, Mary Carlisle, and J. Carol Naish. The premise is bad girls helping rob trucks of their cargo. Shame on them!

Version for your comics reader: Download Tip-Off Girls Pressbook

Tip-Off Girls 01

Hat, Coat and Glove (1934) Pressbook

While the movie may rate only 5.7 on IMDb, I give its pressbook a higher rating. The cover is striking, using poster art from the movie. The use of darker and lighter green highlights adds a nice punch. Ricardo Cortez starred as Sam Spade in the 1931 Maltese Falcon, which is not my favorite Spade or Falcon. Wikipedia states this is a pre-code movie, but the Hays Code started in 1930, and was enforced by 1934. Oopsy?

Version for your comics reader app: Download Hat Glove and Coat

Hat Glove and Coat 01

House of Wax 3D (1953) Pressbook

I caught House of Wax 3D during the 1971 re-release in theaters. While I love both the original Lionel Atwill and Fay Wray Mystery of the Wax Museum and this Vincent Price remake,  with both having excellent directors, Price just makes it all the more fun along with the 3D effects. That voice of his is so mellifluous while his character is at his most dangerous, it's all quite disarming and alarming at the same time. Charles Bronson's brutish handyman provides the best and most surprising 3D effect ever done too. Now this should be re-released again in theaters, for sure. What's really eye-popping in this pressbook are the theater lobby and poster displays to sell the 3D.

Version for your comics reader app: Download House of Wax 3D

House of Wax 3D 01

The Brainiac (1962)
Mexican Lobby Card

I cannot recall exactly when I first watched El Baron del Terror, but I was of that impressionable young age to be pretty mesmerized and chilled by watching the Baron suck out those brains and dip into his big, chafing dish styled, serving bowl for seconds. While the makeup is well underdone and the story in need of a rewrite–and lord knows that English dubbing was awful–The Brainiac is justifiably a cult classic, recreating the style of a Universal Horror for Mexican audiences. This Azteca lobby card captures the movie's vibe quite well. And you can never go wrong with Abel Salazar in a movie.

El baron del terror