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Espectros (The Ghastly Ones) 1968

This is the Mexican lobby card for The Ghastly Ones (1968). Or, as Stephen King states in his book Danse Macabre, “the work of morons with cameras.” I don’t think that would sell as a movie title, but oddly enough, it does fit quite a few horror movies quite well.  I imagine no one would go see The Work of Morons with Cameras unless it was a funny and compelling compilation movie, though, come to think of it, that’s one hell of a midnight movie title. The lobby card, however, does give enough sexy, ghastly, hey-that’s-a-big-knife, and-is-that-a-head-in-a-pot vibe to entice unwary patrons. Which, of course, is not to be confused with pothead, a term many of you, I’m sure, were familiar with back in the 60s.

Espectros Mexican Lobby Card

King Kong vs Godzilla Radio Spots

Twin Drive In Theater marquee showing King Kong vs GodzillaHello, Children…Granny Creech here…

The other day I was stirring up a pot of brew when I received a phone call from my grandson, Big Abner, and he asked, “Granny, you have more radio spots than there are bodies in Witchwood Cemetery. Which one is your favorite?”

Hmmmm….interesting question. I have been collecting spots for longer than I can remember and his question caused a lot of internal retrospection. I love them all, some more than others – kind of like my relatives (heh heh). Which is my favorite and why? And what makes a great radio spot anyway?  Well, it’s kind of like my brew: a lot of good things need to go into the pot to make a satisfying result.
For starters, a good radio spot has to have a quality announcer(s).  He has to embrace the overall mood of the movie, whether it be excitement, fear, or humor. If he can elicit the proper emotion through his voice and colorful words, I can usually get excited to see the movie.

Second, a spot should tell the story of the movie somewhat, and include music and/or sound effects.

Lastly, it should appeal to the mind’s eye as well as to the ears. You should be able to visualize what you are hearing. You should be able to “see it on the radio.”

I thought and thought and eventually came up with two or three titles that would rank as my favorites. I finally came up with a winner. My favorite radio spots of all time (so far) are for the 1963 US release of…..King Kong vs Godzilla!

Citizen Kane (1941) Pressbook

Here is the rare premier release of the Citizen Kane pressbook. There were two pressbooks created for the movie and this is the one that appeared first. After the movie did poorly–what with William Randolph Hearst’s minions bad-mouthing it as much as possible and killing adverts for it–a second pressbook was created with a different slant for advertising as the movie progressed through theaters. Through it all, Citizen Kane is THE movie that should be on your bucket list of must see cinema, no matter what kind of movie fan you are. Orson Welles visionary style, the fluid and timeless social commentary, and the emotional gut-wrenching by the soul-twisting characters, scripted between him and  Herman J. Mankiewicz, are classic all the way. Read online or download these images: Citizen Kane Pressbook

Citizen Kane Pressbook Cover

Husk (2011)
Not All Dried Out

 

Husk_house

Zombos Says: Good

“Stop me if you’ve heard this one, but there’s this movie with an abandoned farm house in the middle of a cornfield and–” I started to say. I was preparing Zombos’ tax information, and my library desk was littered with receipts, scraps of paper notations, vexing forms, and two bone china cups of cold coffee. I decided to take a break.

“–You mean Dead Birds?” interrupted Zombos without looking up from his New York Times newspaper.

“What? No! The cornfield has this smelly, burlap sack-for-a-head decrepit scarecrow–”

Dark Night of the Scarecrow, then? He turned a page.

“No! If you let me finish, it’s a more recent movie. There are these five college people–well, really they’re too old to play college kids unless they just love to hang out there, but for the sake of the movie you’ve got to go with it–traveling down a country road in an SUV and–”

“Oh, Hallowed Ground, then.”

“No way. Their SUV crashes when a flock of crows bury their beaks deep into the windshield and bleed their guts all over the car.”

Kakashi, that Japanese horror movie?”

“Definitely not.”

Scarecrows?”

“Fun movie to watch it’s so bad, but no! Can I finish? All right, then. The movie’s Husk.”

“Oh, one of those After Dark entries.” Zombos turned another page.

“Why aren’t you using the iPad Zimba bought you for Christmas? It’s got the Times on it,” I asked, changing the subject.

Zombos ignored me. Some old people can’t seem to shake the habit of smearing black newsprint ink on their fingertips and crushing pulp paper into awkward folds, I suppose.

“Anyway, getting back to Husk, it’s one of those good After Dark movie entries,” I said. “I mean, if it weren’t for the careless day-for-night lighting used in every supposedly dark scene, I’d even go as far as saying it’s very good.”

Zombos continued to read his newspaper, but he did it with much less crinkling noise and his lips had stopped moving, so I knew he was listening. I continued.

“The crash knocks them all out, but when they wake up,  the jock (Wes Chatham) and the nerd (Devon Graye) go looking for help and their missing friend (Ben Easter) , while the cool guy (C. J. Thomason)–it’s his  SUV that got slammed by the birds–stays by the car and waits. We don’t know much about their missing friend, but the jock’s girlfriend (Tammin Sursok) stays behind, too. She and the cool guy don’t get along. One of those, she’s-getting-all-the-attention-now kind of sticky buddy-buddy situations, you know?”

“I am not sure I would,” said Zombos. “What is a five letter word for ‘corny’ and ‘artificial’?

“Hokey,” I answered. “Leave the Jumble alone for a minute and listen. And there’s no hokey in Husk, by the way, but a few good twists around familiar characters; the nerd doesn’t die first and he actually figures things out; the girl isn’t kept as a screaming foil; the jock actually acts fairly smart and doesn’t wuse out when the terror starts; and cool guy turns out to be not so cool.

“Natalie, the jock’s girlfriend, gets antsy waiting, so she goes for a walk and finds a scarecrow lying on the ground.”

“It does not sound overly taxing in the terror department so far,” said Zombos.

“The scarecrow, when she pulls the burlap sack back, has teeth. That’s pretty much when things perk up. The mystery involves the upstairs room with the foot-pedal sewing machine, dead people walking and sacking up, and flashbacks the nerd, Scott, experiences. Those flashbacks involve the former tenants of the farm house and what happened to them.

“Action kicks in when they try to leave through the cornfield; they can’t; turmoil erupts when the jock won’t leave without his girlfriend, but it’s a moot point, though I won’t spoil it for you by explaining why; and there’s a frantic escape attempt by the formerly cool guy now acting like girly man, which leaves much blood on the ground but a clue as to the limitations of the scarecrow creeps.

“Director and writer Brett Simons, with the help of his actors and production design team, whip up a nifty ghost slash scarecrow monster slash terror-in-the-corn story with a backstory that adds familial, country-gothic depth to the mayhem. The only stretching of credulity comes into play when everyone gets so battered, you wonder how they can keep going with all their blood leaking out like that.”

“So what do the scarecrows do to bloody them up, throw corn husks at them?” asked Zombos, dryly.

“Don’t be silly, of course not. The scarecrows pound long metal nails into each of their fingers, giving them quite a terminal grip.”

Zombos put his newspaper down. “Perhaps we should do a marathon viewing of scarecrow-related horror movies. What do you think? It has been a while since we last saw something in the cinematorium.”

I looked at the pile of papers waiting on my desk and thought about it. I jumped up after a brief moment of reflection. “Definitely! We can start with Husk and go backwards. I’ll have Chef Machiavelli bring the coffee cart. This will be an all-nighter for sure.”

The Watcher in the Woods (1980) Pressbook

One of Disney’s more troubled productions, The Watcher in the Woods hit theaters, was pulled from theaters, was re-edited, reshot, and re-written, and has multiple endings galore; although the 1981 version of the film’s re-release is the official ending. Yet, with Bette Davis, David McCallum, a creepy suspense permeated with a supernatural mood that gives way to science fantasy, it is one of Disney’s more compelling entries and ranks as a good horror movie (at least by this critic). One funny note: Bette Davis, who was pushing past 70 at the time, insisted on playing her younger self instead of another actor. After a lot of makeup and work to make her look younger, the director and Davis watched some test footage. The director told her it wasn’t working. Davis’s response: “You’re goddamn right.” For more Bette Davis-ness, see Dick Cavet’s interviews with her.

Download pressbook images: The Watcher in the Woods Pressbook or click the images to enlarge (but use a BIG screen).

The Black Cauldron (1985) Pressbook

The most expensive animated film at the time, The Black Cauldron falls into Disney’s darker storytelling side for children and adults. After some scenes proved too intense for kids  during a test screening, some removals and additions to soften the animated terrors were made, pushing the film to release a year later than scheduled. The Black Cauldron was the first Disney film to use computer-based animation. The Watcher in the Woods (1980) and Dragonslayer (1981), two live-action Disney films,  also pushed toward the darker sides of fantasy, with both achieving cult status.

Download pressbook images: The Black Cauldron Pressbook

My Short Stories: Tommy Boy

Shadow mastersHere’s my short story, Tommy Boy, which first appeared in Shadow Masters: An Anthology from the Horror Zine, edited by Jeani Rector.

Tommy Boy
by JM Cozzoli

With great effort, Frank hoisted himself off the treehouse floor and up to the glassless window. The sun would be up soon so he had to be ready this time. He had only one chance left and the steady leak of blood from the deep, jagged, rip along his right leg was making him woozy. Duct tape could only go so far.

He knew this time he couldn’t miss and with more light he wouldn’t. He was sure of that.

The pain made him vomit. Again. He wiped his lips as best he could with whatever clean space he could still find on his sleeve, and steadied himself by grabbing the windowsill tight, although the growing numbness in his hands made that difficult. He leaned over the sill, biting his lower lip hard, making it bleed as he concentrated all his remaining strength on getting a long, good look. The cool morning air fanning across the sweat on his face helped clear the nausea growing in his stomach. But only a little. …

The Leopard Man (1943) Pressbook

Produced by Val Lewton and directed by Jacques Tourneur, The Leopard Man‘s initial release into movie theaters didn’t generate much excitement or critical acclaim. Over time, that has changed. The direction, plotting, and relationships are simple and direct, but done with a polish that belies the film’s more sinister aspects of madness, loneliness, and dreams unfulfilled.

Download the pressbook images: The Leopard Man Pressbook

Souling
by Sally Bosco

 

Sally Bosco sends along this story…

Kyle sat in his mother’s Lexus with his arms crossed over his chest. “I don’t see why you have to drive me. The other kids get to walk by themselves.” His parents were always trying to protect him from some imaginary evil they thought would get him, and it drove him crazy.

“Listen, you’re still too young to go trick-or-treating on your own. You don’t know what kind of wackos might be out there, especially on Halloween. Next year you can get a group of friends together and go on your own in the neighborhood.”

He sighed, opened the car door and put his booted foot onto the pavement. His Batman cape caught as he tried to get out, yanking him back, so he had to pull it out from being stuck between the seats.

His mom stood in front of the car, watching him. Her blond hair was pulled up into a ponytail, and she wore a matchy jogging suit. She leaned against the car, pulled out her phone and started texting. “Don’t take too long,” she reminded him.

He didn’t really want to be there. What good was it if your mom drove you trick-or-treating like when you were a baby? As he approached the small wooden house he noticed that it had a single flickering light illuminating it. The night seemed to grow darker as he approached. He knocked on the front door. A dour woman in a brown floor-length dress with a dirty hem peered out. She eyed the young boy and handed him a dried up biscuit with no wrapping around it.

The thing in his hand looked like a tiny shrunken head. “You gotta be kidding me. How about some chocolate?”

She scowled at him and yelled directly in his face with rancid breath. “If you’re a God-fearing child you’ll say prayers for the dead and be happy to get your soul cake.” …

This Book is Full of Spiders
Book Review


David wong spiders

Zombos Says: Excellent

6 Minutes to Review…

“What the hell did it say?” yelled Zombos, pulling on a black, multi-legged, watchamacallit tenaciously clinging onto his patent leathers. He was all dolled up for a night at the Metropolitan Opera, full tux and all, and boy does he hate to get it rumpled. 

“Give me a minute, will you!” I yelled back, peeling another watchamacallit from my neck. I flung it against the wall but it landed on its legs and brazenly stuck its tongue out at me. I flipped the bird with full malice as I rummaged across my desk for the press release from Thomas Dunne Books.  I didn’t want to take my eyes off the little bugger so I had to shift  my attention back and forth a lot. Another of the little beaties jumped on my hand, but I shook it off…and onto Zombos’s other shoe. He didn’t like that much, either.

“Here it is!” I found the press release and scanned it. “Oh, I see the problem. There’s a warning in really small print about not getting the book wet.” I looked at my reviewer’s copy of This Book is Full of Spiders: Seriously, Dude, Don’t Touch It! by David Wong. Then I looked at my spilled cup of coffee. Both were in close proximity. Too close.  I knew I should have just stuck to reviewing movies.

5 Minutes to Review…

“If you’d just give me your opera cape,” I pleaded with Zombos, “we could trap the little buggers in it. Damnit, no one wears opera capes to the Metropolitan Opera any more!”

Zombos refused, his sartorial sense getting the better of him. Two watchamacallits were clinging to my legs, and another one was repeatedly sticking his furry behind in my ear. It seemed to enjoy doing that. The panel doors to the library started to open.

“Mr. Zombos, I have your maple pecan squares and espresso,” said Glenor Glenda the maid.

“Don’t open those doors! Not a good time. Come back later,” I said while trying to make my way to the doors to keep them closed. The twin annoyances on my legs intertwined their legs and tripped me. On purpose. The little bastards. As I fell forward, Glenor Glenda entered the library with a large serving tray filled with maple pecan squares and a small pot of espresso.

All at once the watchamacallits jumped off of me and Zombos and onto the serving tray, knocking Glenor off balance and the tray to the floor. She screamed. They started eating the maple pecan squares.

“Now’s our chance!” I reached around Zombos and flipped the opera cape over his head and protestations. I hurled it over the tray and the maple pecan square eating buggers, neatly grabbing a square from one’s legs–and there were quite a few of them to contend with, the legs I mean–before bundling the ends of the cape under the heavy tray. “That should hold them for a while.”

4 Minutes to Review…

Zombos looked at me, then at the maple pecan square in my hand. I sighed. I gave it to him. While he munched on it I helped Glenor off the floor and into the nearest chair. She always gets so frazzled when things like this happen. I turned my attention to the press release, hoping it would hold a solution to our problem. I continued to read the fine print.

“Wait, here’s something.” I read it out loud. ” ‘In case of wet accidents, let dry, and within ten minutes they will shrink to nothing.’ Oh, that’s good. Wait, what’s this? ‘Under no circumstances should you feed them sugary foods. This will make them grow larger.’ Oh, that’s bad. Really bad.”

3 Minutes to Review…

“I tell you this will work.” I picked up the now squirming opera cape, making sure the ends were tightly closed. “We run in and out without a peep. As long as they don’t eat any more sugary foods, we’re good. They’ll dry out and shrink to nothing and that will be the end of it.”

Zombos scratched his bearded chin. Glenor scratched her cheek. I got tired of waiting and headed for the hall closet. In the book, John and David use utility closets to hop around town, like Star Trek‘s teleporter or Stargate‘s, uhm, stargate, but without all the glittery special effects. It’s more like POOF! you’re now somewhere else, like Walmart’s dressing room. I figured we’d try it.

“Okay, here goes,” I said to Zombos and Glenor, with one hand ready to turn the knob on the closet door. “Ready? Just imagine being someplace else. Okay, let’s go.” I turned the knob and opened the door. We walked into the closet and found ourselves standing in an aisle at Costco‘s.

Zombos was amazed. Glenor Glenda not so much. She wanted to check out the paper goods, however. 

“Look, we get in and we get out. Here, Glenor, while you head over to the paper goods, just drop this tray wrapped in Zombos’s opera cape someplace where it won’t stick out and be noticed, and hurry back. Chop-chop!” She grabbed hold of the tray, and staggered down the aisle under its weight. Waiting seemed like an eternity, but it was really only a minute by the time she returned without the watchamacallits.

“Great,” I said, “good job. Where did you leave them?”

“Oh, the only place an opera cape wouldn’t stick out is by the Halloween section, so I put the tray in back of a deep shelf over there. Then made sure no one would see it by covering it with bags and bags of candy corn.”

Zombos and I looked at each other, then at Glenor. She was smiling at being so clever. Us, not so much.

“Right then, time to go!”

Zombos agreed. We found a utility closet and returned to the mansion. Glenor went to the kitchen to get more maple pecan squares. Zombos and I returned to the library. I couldn’t shake the feeling I had forgotten something. Of course, the review!

The Review…

Following on the heels of John Dies at the End, but not too closely, comes This Book is Full of Spiders: Seriously, Dude, Don’t Touch It!, a horror-comedy with enough spidery monsters and crazy situations to keep its pages gunning successfully for your laughs and shrieks at every turn.

Once again, John and David are smack in the middle of a calamity that befalls their town called [Undisclosed]: a spider-thingy invasion, which starts when David’s bitten on the leg while sleeping. Following the best course of action, and with a town reputation that puts them somewhere between the likability of Attila the Hun and the credibility of a Republican (Note to Editor: please remove cheap swipe at Republicans before posting this and replace with “Philip Roth”), they choose the best course of action to contain the spread of contagion. Which, of course, means the town’s a goner. Even the nearby all-night burrito stand isn’t safe.

The spider-thingy invasion swings into high gear and the nasties can permutate human bodies like The Thing, and enter oral and more southern-leaning body cavities with annoying ease, like the slugs in Slither (or maybe even Night of the Creeps). Oh, and they’re invisible to boot. John and David can see them, but that’s because these guys are monster and calamity magnets. So is the town, apparently, especially after John Dies at the End (but he didn’t because he’s still here in this novel. (Oh, damn –Note to Editor: please remove spoiler, too.)

Watching their every move are the shadow men, who seem to be manipulating the mayhem for their benefit, as well as the nefarious doctor in charge of the government response that starts with containment, then blossoms to retreat and then more containment, just farther away.

The story’s point of view shifts between David’s snarky narration, his plucky girlfriend Amy’s journal, and John’s cut and dried observations. Molly the dog also gets her chance, too. Linear isn’t a concept high on David Wong’s list, so the story bounces between time periods and between countdowns to major events. After the encounter with the mysterious box that can’t be opened and the GI Joe toy soldiers guarding it, expect more weirdness than you could find on the shelves of Wally’s Videe-Oh! store, where David works when he’s not front running the apocalypse or avoiding big spiders with human heads, and the zombies they create as the black, multi-legged furballs hide out in unsuspecting people’s mouths after clearing a little room for comfort by eating a chunk of brain matter.

I usually add a quote from the novel to highlight the author’s style. Forget it here.  After finding potential quote after quote, I gave up. I couldn’t decide on which one to use. Gonzo? Perhaps. Cheap shots taken for humor? Sure. A novel you can’t possibly leave unattended until you finish it? Definitely. It’s wicked, quantum-flux horror, done with a Tango twirl and a twist of farce, where survivalists don’t survive (score one for the zombies) and there really are nasty things hiding under the bed.

And oh yes, there will be Soy Sauce, and a Dorf like escape through a narrow and low-ceilinged tunnel, and the liberal use of duct tape.

(Note from Zombos: I say Zoc, isn’t your editor a Republican?)

(Note to Zombos and Zoc from Your Editor: Yes, I am.)

Cool Movie Radio Spots to Spook Up Your Halloween

Granny at Dusk with a Neighbor

The original post for this was lost when moving from Typepad to WordPress. So here you go again. Who doesn’t want more Halloween?

Ah, Halloween…that magical time of year when the air is crisp, the colorful leaves are falling, and the monsters and spooks are out in force. Halloween holds special memories for your old Granny, because it was my night to shine and torment all the little monsters who dared come my way. And for whatever reason, they kept coming, year after year after year. What was it that kept attracting them to my house? Was it the colorful decorations, the sounds of my haunted house playing in the background, or the goodies I gave away? Probably all the above.

I always greeted them with a friendly cackle and a warm smile, and escorted them to the table where my assistant, Creepy, gave them their candy treats and a spooky pencil or some such. Next, if they dared, they got to touch Uncle Edgar’s brain, floating in a big jar of formaldehyde. Few turned down that opportunity! Before they left, I always offered them a bug or spider, caught at the back of the house, and, to the female trick-or-treaters, a mouse, caught in the cellar. Oh, I’d keep the mice in a box and if they wanted one, I’d reach in, catch one by the tail, and try to put it in their loot bag while the little critter squirmed and twisted. Sometimes it was hard to hit the loot bag and the mouse would squirm up their arms or hands. It was fun to hear them squeal.

Creepy

Anyway, I’d eventually hit the bag and they would say “Thank you” and run off.  Good times. I saw all kinds of horrible faces…some even had on costumes and masks (Hee Hee). There were vampires, ghosts, monsters of all kinds, zombies, superheroes and ghouls. And so I thought, what better time now to feature a variety of radio spots reflecting a wide diversity of movies and characters. Here they are, as varied as the apparitions that will visit your house on Halloween.

And, remember: As Uncle Oscar used to say, “Don’t spook until you’re spooken to!” Happy Halloween!

 

 

 

 

 

 

 

 

 

 

The Haunting

 

The Mummy

 

Alien

 

Captain Sinbad

 

King Kong (Re-release)

 

The Monsters Crash the Pajama Party

 

Do you have any radio spots you would like to share? Contact Granny at [email protected]

Revolt of the Zombies (1936) Pressbook

A lot of very good horror movies came out in 1936: Dracula’s Daughter, Fahrmann Maria, Devil Doll, The Walking Dead, to name a few. Revolt of the Zombies didn’t make the list. In this follow-up to cash in on the success of White Zombie, not much happens with a great premise: raising an army of the dead. Christopher Workman and Troy Howarth, in their wonderful book, Tome of Terror, Horror Films of the 1930s, point out Dean Jagger’s nuanced performance and two striking scenes, but also the dearth of atmosphere, budget-creativity, and good plotting to generate anything remotely as effective as the poster art for this movie. The pressbook is a big meh, also. To make things worse, Revolt of the Zombies was sued to stop its screen play time, being released during a re-release of White Zombie, out of fear having two zombie movies running at the same time was unfair competition for the re-release. Later horror movies like Overlord would capitalize on the military zombie theme. Victor Halperin directed both White Zombie and this movie, and Bela Lugosi’s hypnotic eye close-ups from White Zombie were clipped and used here too. To really make this a bad call all around, the zombies aren’t even zombies: they’re just people drugged into a zombie state of invincibility. Bummer.

Download the zipped images: Revolt of the Zombies pressbook