The Exorcist (1973) Pressbook
This is one of the finer examples of what a pressbook can be: a large format packed with lots of promotion for the movie. I'm missing a few admat pages, which I'll add in eventually.
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This is one of the finer examples of what a pressbook can be: a large format packed with lots of promotion for the movie. I'm missing a few admat pages, which I'll add in eventually.
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The is the re-release, Realart Pressbook for The Invisible Ray. I left out one page of ad mats.
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Gremlins is a good example of how cute monsters can tie into merchandising the “horror” experience. This British pressbook for the movie is chock full of product tie-ins. The merchandising page (click image to enlarge) mentions items including soft drink concentrates, backpacks, tote bags, t-shirts, jigsaw puzzles, stickers, toys, and more. Who could resist a little Gizmo doll in his little car? Of course, true horror fans prefer Stripe.
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Another sumptuous pressbook (campaign manual) from Universal Studios, Son of Dracula (1943). While I will agree that Lon Chaney’s physique is the least beneficial asset to his portrayal of Count Alucard, the movie’s atmosphere and effectively applied special effects create a uniquely intimate Gothic-noir.
Comic reader version: Download Son of Dracula Pressbook
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Universal Studios certainly knew how to do pressbooks (campaign manuals) for their horror movies. They were large, filled with many pages of publicity information, and presented with style. The showmanship pages have some clever ideas to promote the movie. I’ve left out a few of the poster and ad mat pages. (This color copy of the original pressbook is courtesy of Professor Kinema.)
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Movie Heralds were way cool extras to the movie-going experience before all the media- hyping via Facebook, Twitter, and (name-your-own-preference-here) took over. A sample “newspaper” would usually come with the pressbook and the theater would then purchase them in bulk, to hand out to patrons as free advertising to promote the movie.
Here’s the one for The Legend of Hell House.
Here’s the pressbook for The Return of Count Yorga, a solid contemporary vampire story that adds 1970s grittiness.
See more movie pressbooks From Zombos’ Closet.
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This Amicus movie is one of my favorite scares. I found this nifty pressbook and merchandising manual in Professor Kinema’s archives.
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Move over silent era, step aside talkies, hit the road 3D. Now we have Duo-vision. Duo-Vision was by no means ground-breaking. It was just a promotional marketing term to describe split screen.
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