The movie is So Sweet, So Dead (1972). The original Italian title is even more unexciting (and much longer). So the pressbook goes for the titillation effect with the more direct "The Slasher…is the Sex Maniac!" The 1970s were a lot like that. Movie pressbooks from this decade are a lot like that, too.
Yes, indeed, zombie pix are upbeat and durable. This 11 x 17 inches double bill pressbook for The Black Sleep and The Creeping Unknown (although Creeping isn't covered much) is a black and white treat that reminds me a lot of Famous Monsters of Filmland magazine in its "Horror Beyond Belief!" layout. I would have loved to have seen those waxworks of the horror stars in a theater lobby.
…
Double Bill Pressbook: The Black Sleep
and The Creeping UnknownRead More »
What's interesting about this pressbook for Blackout (1978) is that it promotes the notable actors appearing in it more than anything else. On another note, I remember the 1977 New York City blackout quite well: my mom freaked out thinking it was the end of the world and ran to grab the crucifixes; as for me, I thought it was fun. I was a kid. What did I know? After Hurricane Sandy and 14 days without power, it wasn't as much fun as I remembered.
An interesting pressbook for The Man Without a Body (1957) and Fright (1956), "the twin terror show that tops them all." The cover is a quick cut and past job, but it does the trick, and there are two 4-page inserts, one for each movie, and each 11 x 17 inches in size.
…
Double Bill Pressbook: The Man Without a Body and FrightRead More »
This eye-grabbing 4 page French pressbook for Abbott and Costello Meet Frankenstein is being auctioned on emovieposter.com (ends Sunday night). I was going to bid on it, but the bidding is hot and heavy, and going to a level I didn't expect. The centerfold impresses with its layout, especially with the red ink highlights.
I ordinarily shy away from collecting 4 page pressbooks because they rarely have any substance, but this double bill pressbook for Night of the Bloody Apes (aka La Horripilante Beastia Humana, 1969) and Feast of Flesh (aka Blood Feast, 1963) grabbed my attention with its exquisitely primitive scratch illustration (that rips off King Kong), and the “spare body-part” promotion flyer insert.
Every decade's worth of movies has its Jar Jar Binks kind of misguided character design. Here's the pressbook for The Giant Claw. And you thought Jar Jar was funny-looking.
Don’t laugh, this 1970 “first sex-horror” movie (La Rose Ecorchee) has a 6 rating on IMDb. So there. The pressbook is a 6 page foldout, 9 x 12 inches in size. Pretty much the same size as that furry dwarf with the menacing spear.
Here's the 6 page foldout, 12 x 18 inches, pressbook for Universal's double bill, Curucu, Beast of the Amazon, and The Mole People. Sweet.
Here's the movie pressbook for Weird Woman (1944)). A less than stellar remake in 1980, Witches' Brew, starring Teri Garr and the tall man himself, Angus Scrimm, doesn't conjure up as much deviltry. How could it without Lon Chaney, Jr?