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Interview: Classic Hollywood Horror-Comedies
With Paul Castiglia

BorisBoogie Paul Castiglia has been writing and editing comic books and pop-culture articles for 20 years, most notably overseeing the Archie Americana paperback series of classic Archie Comics reprints. His past forays into horror-comedy include providing a chapter for the book MIDNIGHT MARQUEE ACTOR SERIES: VINCENT PRICE covering Price’s comedic horror films with Peter Lorre, and writing the comic book based on the animated series Archie's Weird Mysteries. He has also edited the upcoming Archie Comics Haunted House trade paperback collection of spooky stories.

Paul's blog, Scared Silly, will post its first review at midnight tonight, kicking-off his adventure writing about classic horror comedies for his upcoming book, Scared Silly: Classic Hollywood Horror-Comedies.

Here's my interview with Paul to wet your appetite.

 

How does a writer and editor for Archie comics wind up doing a book on classic horror-comedies?

Simple, I’ve always been a fan of the horror-comedy genre, and I’ve always wanted to read a book that provided an overview of the entire genre. Since none existed, I figured the only way I’d be able to own a book like that would be to write it myself!

It really goes back to my childhood. I was a child in the 1970s, when movies and TV shows from past decades were routinely rerun. I grew up watching the classic comedians on TV, particularly Laurel & Hardy and Abbott & Costello; and I grew up watching a lot of cartoons. Both of those pastimes fed into my love of comic books.

Originally I was scared of films like “Abbott & Costello Meet Frankenstein” (heck, when I was real little I was also scared of Herman Munster!), but ultimately the comic relief alleviated the scares and somewhere along the line I developed a particular fondness for the “spooky” comedies.

This fondness served me well when it came time to write the “Archie’s Weird Mysteries” comic book series (based on the TV cartoon of the same name) and a chapter in a book about Vincent Price films covering the horror-comedies where he was teamed with Peter Lorre.

Ghost chasers Horror and comedy seem to be opposites; so why do you think horror-comedies have always enticed audiences?

Psychologists will tell you that the difference between a laugh and a scream is slight. In fact, sometimes people laugh when they should be screaming. “Nervous laughter,” they call it. Both are a form of release, and when combined they make a formidable pair: what better way to relieve the tension of just being scared than with a laugh right on top of the scare?

In the end, it goes back to the basis of all stories – the idea that being a hero means conquering a problem. If you can laugh at your fears, you are that much closer to conquering them.

Interview With The Sleeping Deep’s J. B. Palmer

The Sleeping Deep Jeffrey Blake Palmer’s Lovecraftianesque The Sleeping Deep screenplay is winning a lot of film festival awards these days. Before his head swells bigger than a blowfish–what with all those kudos and attention–I thought it best to snatch him away from his busy schedule and lock him in the closet for a bit, until he answered a few questions about his work and his inspirations.

 

Tell us about the young monsterkid who grew up to be Jeffrey Blake Palmer.

Ooohh, perhaps my mother would be better suited to answer that question…

FADE IN:

I was born and grew up in the quaint New England mill town of Dover, New Hampshire, which I would later capture on film in my feature On the Fringe. It was idyllic, charming, safe. I was fond of dismantling anything electronic (radios in particular), doodling in my notebooks, goofing off around the neighborhood. Seems I was always lost in thought, my head cluttered with artsy-fartsy ideas all vying for attention. Definitely was a bit of a daydreamer. But I never terrorized the neighbors’ pets, only my younger brother.

I do have fond memories of spending Saturday afternoons during the summer watching Creature Double Feature on Channel 56 in our cool basement entertainment room. Man, those were the days.

Where does your ambition to film and script movies come from?

I think my ambition really boils down to embracing an artful life. Film and filmmaking is a collaboration and combination of so many disciplines, from composing musical scores to special effects to acting, costume design, writing… it’s truly a celebration of the spice in life.

The deal was sealed when I stumbled onto a film class in college and was surrounded by freaks, nerds, weirdos and misfits. I immediately decided to pursue a film degree at Keene State College, a small state school in south-western New Hampshire and I’ve been at it since.

Once Again, The Apocalypse (but now due 2012)

The 4 Horsemen of the Apocalypse Nice to see the apocalypse has been rescheduled. Like one of those near endless Friday the 13th sequels, you just can’t keep a good hoax down. But now the date is 2012, so I hope you can wait. I know the suspense is simply killing me.

Fueled by a crop of books, Web sites with countdown clocks, and claims about ancient timekeepers, interest is growing in what some see as the dawn of a new era, and others as an expiration date for Earth: December 21, 2012.

Read all about it before it’s too late: Apocalypse in 2012? Date Spawns Theories, Films…

Interview With Vince Liaguno
Unspeakable Horror

Unspeakable_horror
No place is darker than in the shadows of our closets…
And on each self, and in each corner, rests shoes, and clothes, and unspeakable horrors…

Editors Vince Liaguno and Chad Helder step into Zombos’ closet for a chat about their upcoming horror anthology that dares to open the creaking doors to those most personal, untidy closets we all share, where the light bulb is always dark, and the space is always pressing. And where fear is always piled deep in the farthest, darkest, corner.

 

How did Unspeakable Horror: From the Shadows of the Closet come about?

Chad Helder: In 2006, I started a website called Unspeakable Horror [http://unspeakablehorror.com] that explored the intersections between the horror genre and queer theory. Early on, I heard from Vince who was about to publish his first novel. We quickly became friends. At some point, Vince came up with the idea of publishing an anthology of gay horror stories. As a lover of short fiction, I was really excited about the prospect. That’s how it all began. Vince launched Dark Scribe Press, and the project began.

Reviews and Interviews With A Bit of Fiction

Here are some of the reviews and interviews I framed with a fictional story that highlights the various characters living in Zombos’ mansion, or just illustrates my incessant need for cheekiness.

Interviews

Crimson QA With Austin Williams

Gospel of the Living Dead With Kim Paffenroth

Paul Bibeau’s Sundays With Vlad

Jonathan Maberry on Writing

Reviews

Ghost in the House of Frankenstein

Tokyo Gore Police

Dying to Live: Life Among the Undead

Dying to Live: Life Sentence

Tap Dancing to Hell and a Pot O’Gold

Part One — Castle of Blood

 

Old Time Radio Horror:
Listen With the Lights Out!

Before EC Comics, before TV Horror Hosts, and before the mad scientists, psychos, and domestic and foreign ghosties and beasties took over the megagoogaplex screens, there was dramatized horror on radio just a twist of the dial away.

I fondly remember pulling out the old Webcor reel to reel tape player to listen to old time radio shows, and my favorite will always be Three Skeleton Key with Vincent Price, otherwise known as “that one about the rats.”

Imagine being trapped in a lighthouse with a horde of ravenous rats that have eyes and taste buds only for you; inexorably finding their way in until you have no where else to run.

With the advent of MP3 players, it is now easier than ever to rediscover the sinful pleasures of old time horror radio drama. Much of it is in the public domain these days (script writers and budding horror authors take note!), and can be found online or in CD collections for a nominal charge.

Hot on your list should be audio plays from Lights Out, Suspense, Inner Sanctum, The Creaking Door, and The Haunting Hour, though there are many more series extant.

Aside from Three Skeleton Key, other superb radio dramas to listen to are Sub Basement, and Spider, from Lights Out, and The Dunwich Horror and The House in Cypress Canyon from Suspense.

In Sub Basement, a man takes his wife to the sub basement of a big department store with plans of murder on his mind, but something else in the basement has other plans for them. And in Spider, two weary jungle hunters meet their match in another furry, but not so little or cute multi-legged, and very patient hunter. Just what, exactly, is in the closet in The House in Cypress Canyon will make your neck hairs stand on end.

Listening to horror can be quite frightening indeed. As you hear these chilling tales of terror and horror, be careful your imagination does not run too wild.

 

Go to Awake at Midnight to start listening. And remember, listen with the LIGHTS OUT!

Chindi Remembers Charles Grant

West Nelson (aka Chindi to Zombos Closet readers) shares his thoughts on the passing of horror and science-fiction author Charles Grant. Thanks West.   

Charlesgrant

We said good-bye to Charles Grant on Thursday. You can read his obituary here and here, but I’d like to talk about the first time I met him. It was about 10 years ago and I’d been corresponding with his wife, Kathy Ptacek, for some time. She kindly invited me to a party they were having for his 100th book. It was a weekend long affair, but I couldn’t make it on that Friday. I do recall that we were all watching an episode of the X-Files that Friday night. When I saw Charlie’s name on a list of suspects that Mulder was reading, I called Kathy and Charlie to tell them. Of course they’d seen it and the celebratory noise in the background made me regret choosing work over fun.

That night I prepared a couple of pans of spicy sesame noodles with shrimp and scallops and in the morning, I loaded it all up in the car and drove to Newton, NJ. The minute I arrived, I was welcomed with open arms. Not just by Kathy and Charlie, but by their community of friends as well. At some point, I mentioned to Charlie that his work had a Dickensian touch to it. The characters you got to caring about the most were the ones who were doomed, in particular the children. He rather enjoyed that. Later, when discussing his book, Jackals, I stated that it reminded me of the National Geographic film, Eternal Enemies: Lions And Hyenas. He fairly leaped into the air and said he got the idea for the book from that video. We riffed on the name the researchers (Derek and Beverly Joubert) gave the male of the pride. Ntchwaidumela which means “He who greets with fire”. In fact, whenever we’d float past one another that night, we would bow to each other and say “Ntchwaidumela” in a most formal tone.

As for my spicy sesame noodles, they were a hit. Charlie made me promise to send the recipe which I gladly did. Come to think of it, he’s the only person to whom I’ve ever given it.

When the blackout of 2003 occurred, I was in the midst of reading one of his Oxrun collections. Rather than wait for the lights to come on, I settled onto a couch and turned on a flashlight. I finished the book that night and when I went to sleep I had a nightmare I hadn’t had in years. I emailed Charlie about it and told him that I’d decided to finally write it all down. He wrote back and told me that he’d like to see it when I finished it. Sadly, I let life get in the way and I never did finish it.

Years ago, Charlie put out a small print magazine called Haggis. It was a way for his fans to get a glimpse into what was going on behind the scenes of his work. There was also a great deal of fan participation. He organized a virtual wrestling federation. We had to come up with our own characters. Mine was Loup Garou, the werewolf. I described him as George “The Animal” Steele with serious dental issues. Loup was quite tame as long as he was leashed. In truth, I’d forgotten about it until Jet Li’s Unleashed came out. Charlie was kind enough to email me to ask if I’d had anything to do with it.

People like Charlie Grant are never fully appreciated by most of us while they are here. I regret getting so caught up in my own life that I couldn’t take a day to see him when he took ill. “There’s always next weekend”, I kept telling myself. If we are to learn anything from his passing, it should be that we must cherish our friends and family while they’re here. Email and web communities are one thing, but they cannot replace real face to face encounters. It is small consolation that his funeral and the following reception were just the kind of gathering that he would have enjoyed.

We’ll miss you, Charlie. Thanks for everything.

Universal Monsters 75th Anniversary at SDCC 2006

Monsters_1
You would never know it is the 75th Anniversary of the Dracula and Frankenstein films with how Universal Studios is “promoting” this milestone, but at the San Diego Comic Con, they remembered and celebrated with Forry and a panel of fans. Wish I had attended.

And another thing…I wonder why Universal Studios has not capitalized on their wealth of classic horror monsters in their theme park. When will Universal Studios wake up and smell the freshly turned earth? Being home to a bunch of classically scary icons like Dracula, Frankenstein’s Monster, the Wolfman and the Creature, you would think they should have come up with haunted house and scarefest attractions by now that would make an awesome bunch of monster house rides.

Hell, imagine a Creature from the Black Lagoon attraction similar to Disney’s Jungle Cruise, or walking through the streets of an old Transylvanian village, ala Disney’s Fantasy Land. Every so often you could have actors running through the streets with flaming torches (or safer reasonable facsimiles) chasing after Frankenstein’s Monster. Imagine a ride built around the movie Them!, where you fight giant ants, or a frightening tour of Dracula’s castle (Todd Browning version, of course). I love the Mummy ride, but there are more monsters, you know. Perhaps, with the new Creature and Wolfman remakes on the way, more classic monster attractions will become a reality.

Then again, they did do Van Helsing.

Sin-Jin Smyth’s Ethan Dettenmaeir

Hangman_2With a mysterious title like Sin-Jin Smyth, and a talented cast that includes Roddy Piper and Jeff Conaway, this is one horror film high on my must-see list. Here’s the synopsis: Sin-Jin Smyth takes place over Halloween weekend. Two Federal Marshals receive orders to cross the state border to the small town of Shin Bone, Kansas in order to transfer a prisoner during a tornado warning. Nothing is known about the prisoner except his name: Sin-Jin Smyth. The film is based, in part, on an old legend that tells of the Devil appearing simultaneously in the high plains of India and a quiet cemetery in Kansas at midnight on Halloween.

I wanted to find out more about the creative force behind this upcoming horror film slated for October release–writer and director Ethan Dettenmaeir, and here is the interview we recently had. You can also check out Sin-Jin Smyth at Wikipedia.