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Granny Creech’s Radio Spot Crypt

Undead Movies Radio Spots

Well, it’s 2024 and we’re off to a flying start, as Dracula would say.

2023 was a fantastic year…lots of new friends (some dead, some alive), lots of new radio spots, and the start of Granny Creech’s Radio Spot Crypt. Many thanks go out to Zombos Closet for making this old woman very happy, and for making her dream come true. I’m having a blast, and 2024 already promises to be even greater as many new things are on the horizon for both Zombos and Granny’s Crypt, so stay tuned!

I was just looking over my collection of spots and realized I still have a few “singles” left…individual spots for movies rather than the complete marketing package of three or more per title. So, I thought I’d include them here, linked together under the ‘vampire’ category. The first is Horror of Dracula followed by a combo spot for Horror of Dracula and The Thing That Couldn’t Die. Third is a spot for 1960’s Brides of Dracula, and, lastly, a spot for Curse of the Undead. I hope you enjoy them. It was a real pain in the neck to round them up, but there was a lot at stake, so I feel it was worth it. You can count on me to deliver the best, make no bats about it! (Hee Hee) Until next time….

 

Brides of Dracula Poster Art

 

Curse of the Undead Poster Art

 

Horror of Dracula and The Thing That Couldn’t Die!

 

Horror of Dracula Poster Art

 

 

The Thing That Couldnt Die Movie Scene
You always said you wanted to get ahead in life…so now what? 

Do you have any radio spots you would like to share? Contact Granny at [email protected]

King Kong vs Godzilla Radio Spots

Twin Drive In Theater marquee showing King Kong vs GodzillaHello, Children…Granny Creech here…

The other day I was stirring up a pot of brew when I received a phone call from my grandson, Big Abner, and he asked, “Granny, you have more radio spots than there are bodies in Witchwood Cemetery. Which one is your favorite?”

Hmmmm….interesting question. I have been collecting spots for longer than I can remember and his question caused a lot of internal retrospection. I love them all, some more than others – kind of like my relatives (heh heh). Which is my favorite and why? And what makes a great radio spot anyway?  Well, it’s kind of like my brew: a lot of good things need to go into the pot to make a satisfying result.
For starters, a good radio spot has to have a quality announcer(s).  He has to embrace the overall mood of the movie, whether it be excitement, fear, or humor. If he can elicit the proper emotion through his voice and colorful words, I can usually get excited to see the movie.

Second, a spot should tell the story of the movie somewhat, and include music and/or sound effects.

Lastly, it should appeal to the mind’s eye as well as to the ears. You should be able to visualize what you are hearing. You should be able to “see it on the radio.”

I thought and thought and eventually came up with two or three titles that would rank as my favorites. I finally came up with a winner. My favorite radio spots of all time (so far) are for the 1963 US release of…..King Kong vs Godzilla!

Cool Movie Radio Spots to Spook Up Your Halloween

Granny at Dusk with a Neighbor

The original post for this was lost when moving from Typepad to WordPress. So here you go again. Who doesn’t want more Halloween?

Ah, Halloween…that magical time of year when the air is crisp, the colorful leaves are falling, and the monsters and spooks are out in force. Halloween holds special memories for your old Granny, because it was my night to shine and torment all the little monsters who dared come my way. And for whatever reason, they kept coming, year after year after year. What was it that kept attracting them to my house? Was it the colorful decorations, the sounds of my haunted house playing in the background, or the goodies I gave away? Probably all the above.

I always greeted them with a friendly cackle and a warm smile, and escorted them to the table where my assistant, Creepy, gave them their candy treats and a spooky pencil or some such. Next, if they dared, they got to touch Uncle Edgar’s brain, floating in a big jar of formaldehyde. Few turned down that opportunity! Before they left, I always offered them a bug or spider, caught at the back of the house, and, to the female trick-or-treaters, a mouse, caught in the cellar. Oh, I’d keep the mice in a box and if they wanted one, I’d reach in, catch one by the tail, and try to put it in their loot bag while the little critter squirmed and twisted. Sometimes it was hard to hit the loot bag and the mouse would squirm up their arms or hands. It was fun to hear them squeal.

Creepy

Anyway, I’d eventually hit the bag and they would say “Thank you” and run off.  Good times. I saw all kinds of horrible faces…some even had on costumes and masks (Hee Hee). There were vampires, ghosts, monsters of all kinds, zombies, superheroes and ghouls. And so I thought, what better time now to feature a variety of radio spots reflecting a wide diversity of movies and characters. Here they are, as varied as the apparitions that will visit your house on Halloween.

And, remember: As Uncle Oscar used to say, “Don’t spook until you’re spooken to!” Happy Halloween!

 

 

 

 

 

 

 

 

 

 

The Haunting

 

The Mummy

 

Alien

 

Captain Sinbad

 

King Kong (Re-release)

 

The Monsters Crash the Pajama Party

 

Do you have any radio spots you would like to share? Contact Granny at [email protected]

The Land Unknown Radio Spots

The Land Unknown T-Rex

The Land Unknown T-Rex

Before he died, my Uncle Edgar used to say, “Life has a funny way of working things out.” He was a smart man. When he died, we saved his brain. It’s floating in a big jar of formaldehyde. I keep it in the dining room where he can be a part of the goings-on. We usually sit it out on a table on Halloween night so all the neighborhood monsters can come up and touch it if they like. Uncle Edgar likes being a part of the festivities.

Anyway, I was just sitting here in my old creaky rocking chair, watching the fire, and pondering which radio spots I should upload next when I suddenly received a batmail from sister Elviney, asking if I had seen the latest posting on Zombos Closet. I looked and, well, Old Zombos, clever fellow that he is, decided to highlight The Land Unknown’s excellent pressbook on his website. He must have known what all I was thinking, and I immediately knew what my weekly selection would be: The Land Unknown! Uncle Edgar was right.

The Land Unknown was a favorite movie of mine when I was a kid. I loved the dinosaurs and, even though they weren’t the best looking, they still fired my imagination. The use of miniatures, matte paintings and the combining of live-action into the miniature sets were pretty spectacular for 1957. The poster art was pretty good, too.

The 7” radio spot record I have only contains three spots, so I suspect it’s for the 1964 re-release. I’ve featured them all here.

So, enjoy these radio spots from one of Universal’s 1950’s thrillers! Uncle Edgar and I will be listening, too.

The Land Unknown (15)

The Land Unknown (30)

The Land Unknown (60)

The Pit and the Pendulum: More Radio Spots

Pit and the pendulum pressbook

The Pit and the Pendulum Pressbook Cover

Good old Granny lifted up her nephew, turned him upside down, and shook real hard to loosen up some more radio spots from The Pit and the Pendulum from his pockets. Here are a few 60, and one 90, minute spots for your time to be well spent. Bet you won’t be able to watch the movie ever again without hearing these ominous jingles playing in your head. Again and again. Like that blade that keeps on coming. Swoosh…swoosh…swoosh…

Pit and the Pendulum (60)b

Pit and the Pendulum (60)c

Pit and the Pendulum (60)d

Pit and the Pendulum (60)e

Pit and the Pendulum (60)f

Pit and the Pendulum (60)g

Pit and the Pendulum (90)

The Pit and the Pendulum (1961)
Radio Spots

IMG_E4357

B&K Roosevelt Theater on State Street, Chicago IL

This just in from Granny Creech’s nephew, Gary Fox…

It was Wednesday, September 20, 1961, when I first heard the radio spot for The Pit and the Pendulum. It was the day before its opening day and to my 11 year-old brain, it was amazing. I had seen the ads for the movie in the newspaper and was intrigued by what I saw: a guy bound on a large stone table with a long blade-like thing hanging over him while a good-looking woman looked on. I could only imagine what was going to happen until I heard it and saw it…on the radio. Whoa! Poor guy! I had to see the movie.

The next day after school I rode the bus into town and saw it, the first of four times over the course of the next few days.  But, after the first viewing, I had a pressing task: I had to tape record the radio commercial before they took it off the air. And for that, I had to wait until Saturday when I went to my granny’s house where my beloved reel-to-reel resided. Would it still be on? You can imagine my joy when I heard them (!) on Saturday morning, and I was able to record several versions. They went on my growing radio spot reel.

I was finally able to purchase the radio spot disk much later in life.  The radio spots were produced on a 12”, 33 1/3 rpm red vinyl disk, with spots on both sides. Usually spots were just on one side of a disk with the other side blank, unless it was a giant movie or if the studio gave it the first class marketing treatment, which American International did with Pit.

The vinyl is spectacular. It features renowned voice actor Ken Nordine (Nor- DEEN), who was also a recording artist who developed a style of storytelling he called Word Jazz. Not only do the spots differ in length, they also differ in content and emphasis. They are extremely atmospheric, and create a sense of doom, torment and despair. With added sound bites and eerie sound effects, including an ever-present slicing sound made by the pendulum, the listener gets a sense of dread from the poor guy chained to the table, and of the mental instability of his tormentor. In some clips, Nordine is the narrator; in some, he is the victim; in others he is the tormented inquisitor inflicting the pains of the torture chamber on his victims. In one cut, he is even Edgar Allan Poe himself.

A true-treasure trove of visual imagery, one can easily listen to the entire album and get a complete feel for the movie. As a kid, I was not disappointed. I loved the pendulum with its heavy gear works, the immense pit room with its hooded figures observing the foul deed, the buried-alive corpse in the crypt, and the overall look and sound of the movie. The spots had done their job.  I eventually lost count how many times I saw the movie, but I even recorded the spots when the movie came back to the drive-in later in the year.

So now, sit back and enjoy the mental pictures conjured up by these effective and horrific spots to The Pit and the Pendulum. Pleasant dreams! or unpleasant screams!

Pit and the Pendulum (20)

Pit and the Pendulum (30)a

Pit and the Pendulum (30)b

Pit and the Pendulum (30)c

Pit and the Pendulum (30)d

Pit and the Pendulum (30)e

Pit and the Pendulum (60)a

To be continued…and special thanks to Milton Moritz for identifying the theater.

Psycho (1960) Lobby Spots

PerkinsPsychoFlash…from Granny Creech…

I just received batmail from Uncle Oscar (he’s a caretaker at the Witchwood Cemetery in Arkansas), saying he just dug up two lobby spots from Psycho! He sent them to me, and I believe they are from the original release in 1960.

They are pretty entertaining. That Alfred Hitchcock is such a character! Anyway, I thought I’d include them here. They could have been used in 1960 as well as for the re-release in 1969 and would have entertained the patrons waiting to be seated for the next showing of the movie. Enjoy! Yours truly, Granny C. (P.S. Just blow the graveyard dirt off and give them a spin.)

Listen to Psycho Lobby Spot (30)

Listen to Psycho Lobby Spot (60)

Psycho Re-release Radio Spots

Janet Lee and Alfred Hitchcock

Directing the Psycho Shower Scene

“Ladies and gentleman, this is the ghost of Alfred Hitchcock. Once again, Granny Creech has been gracious enough to invite me back to present and delight you with more radio spots for my motion picture Psycho. This time we are featuring spots for the 1969 theatrical re-release. After seeing the brutally butchered version of the shower bath scene on TV, many viewers wanted to experience the terrifying original version again, the version as it  was originally filmed, intact and uncut, and so we decided to release the film again. It still is as frightening as it was back in 1960, and the radio spots were designed to convey that message. I hope you enjoy them.  And may all your nightmares be pleasant ones.”

Play Psycho Re-Release Radio Spot(30)a

Play Psycho Re-Release Radio Spot(30)b

Play Psycho Re-Release Radio Spot(30)c

Play Psycho Re-Release Radio Spot(60)a

Play Psycho Re-Release Radio Spot(60)b

Play Psycho Re-Release Radio Spot(60)c

 

Psycho (1960) Radio Spots

Hitchcock Line ArtHow do you do. This is the ghost of Alfred Hitchcock and I am delighted to be here at Granny Creech’s Radio Spot Crypt. It seems that our dear old Granny has decided to feature the radio spots for my movie Psycho, a feat of which must have been a serious undertaking for her.  

Actually, there are two sets of spots that will be presented here. The first set is for the original release of Psycho in 1960; the second set is for its re-release in 1969. Those will be featured next week. I think you will find both sets equally charming.

For whatever reason, Granny Creech gets a kick out of my vocal delivery, calling it droll and dry, and somewhat humorous.  I can assure you these spots were delivered in all seriousness with the goal of attracting as many patrons to the theatre as possible.

And so, I will leave it up to you, the discerning listener, to determine the effectiveness of the spots.  I trust they will leave you with the most pleasant memories and the most chilling nightmares. Thank you.”

Listen to Psycho (10 seconds)

Listen to Psycho (20 seconds)

Listen to Psycho (30 seconds)a

Listen to Psycho (30 seconds)b

Listen to Psycho (30 seconds)c

Listen to Psycho (30 seconds)d

Listen to Psycho (60 seconds)a

Listen to Psycho (60 seconds)b

Listen to Psycho (60 seconds)c

Listen to Psycho (60 seconds)d

Psycho Alfred Hitchcock Standee

Alfred Hitchcock Psycho Theater Standee
Alfred Hitchcock holding Psycho Clapper

Alfred Hitchcock on Psycho movie set

William Castle’s Movies Through Audio Thrills

William Castle Smoking Cigar and Seated In Director's Chair

William Castle Seated In Director's Chair

Your old Granny Creech has been thinking a lot lately about William Castle, Mr. Showmanship himself.

 
I loved all his movies and gimmicks, and his desire to give his audiences more bang for their buck. I’ve included some of his spots here for your listening enjoyment.  Just imagine hearing these on your AM radio! I couldn’t wait to see the movie!
First up are three spots for his movie Macabre, the film which featured great poster and advertising art. When you entered the theater you were given a $1000 insurance policy on which you could list your beneficiaries should you die of fright while watching Macabre.
 
See the nurse in the lobby? She was there with smelling salts if you needed them. And after seeing that horror doll in the casket, I felt like I needed them! That face gave me nightmares forever!
 
 

What is a Radio Spot?

GrannyCreechPortraitThis article was sent by bmail (that's batmail) from Granny Creech. A note that said Read it or Else was attached to it by a rusty paper clip. So…

What is a radio spot?

Well, back in the day when Granny Creech was just a young little thing, movie studios used to offer to movie theaters a vinyl record containing advertisements for the movie they were exhibiting. They first were issued on 10” 78 rpm records, then later 12” 33 1/3 rpm records or 7” 45 rpm records. The advertisements, or “spots”, usually varied in length, from 10 seconds up to one minute, leaving time at the end for a local announcer to “tag” the spot: “Now showing at the Rialto Theater.” Some records contained multiples of each time length.

When the theater manager received the record, they contacted their sales representative at the local radio station. The rep then designed a “package” of airplay. For example, they might sell the theater a package of 50 time slots over the course of a few days or a week for “x” amount of dollars.  The spots would be played throughout the days, in between songs and other commercials, on a predetermined schedule, with emphasis placed on “drive time” (when motorists were in their car going to and from work), and weekends.  The number of spots played per day usually increased as the start date of the movie drew near.

Spots produced for the movie varied greatly in terms of production value and complexity.  Often, as was the case in the city where your Granny grew up, the local radio station produced original spots based on info provided by the theater manager.  In some instances, the locally-produced spots were better than the studio-issued spots. Locally produced spots were the norm for drive-ins that showed three or more features per night.

Sadly, most spot records were discarded after the movie left the area. There was no longer any need for them.  Some were saved by disc jockeys or theater personnel, but for the most part, that unique segment of movie promotion history was lost forever. However, some Monsterkids had the foresight to use their reel-to-reel tape recorders to record the spots live off the air.

The spots presented here in Granny Creech’s Radio Spot Crypt are some of my favorites. Some are better than others, but they all take me back to a simpler time, a time when listening to your favorite Top 40 radio station allowed you to hear of an exciting movie coming to your favorite theater. I’ve collected them from many places over many years.  The names of the sites and the contributors have long-since been forgotten, but my thanks go out to those who shared my interest in them and preserved them for us to enjoy today.

Listen…