Azteca/Mexican Lobby Cards
Satan’s Cheerleaders (1977)
Mexican Lobby Card
Sure, you always think of Yvonne De Carlo as Eddie's wholesome mom on The Munsters, but she's a bit of a devil, too, you know. A school janitor gets the cheerleading squad into trouble with witches. John Carradine also manages to stop by. Originally given a PG rating, after the producer spiced it up, it received an R.
Satan’s Mistress (1982)
Mexican Lobby Card
This is a very large Mexican lobby card for Satan's Mistress. John Carradine did a cameo and Britt Ekland, although top-billed, didn't appear much. This movie came out around the same time as The Entity (which you really shouldn't miss). The card uses two very strong elements: a frightened, vulnerable woman and a pair of sinister, threatening eyes. Note the emphasis on sex and terror to sell theater seats.
Warlords of Atlantis (1978)
Mexican Lobby Card
I have a guilty-pleasure-place for the Doug McClure fantasy actioners from Amicus first and this one too, the last of the bunch, from EMI. It's simple fare, but sometimes simple is just fine. Here's the very large Mexican lobby card (printed on thin slick paper) for the movie, which is also known as Warlords of the Deep.
Black Dragons (1942)
Mexican Lobby Card
This looks like a repop, but here's the still impressive Mexican lobby card for Black Dragons, one of the Monogram 9 movies starring Bela Lugosi. I must recommend two books for you to fully appreciate these low-budget but highly interesting (and downright weird most of the time) movies from poverty row, especially Black Dragons. The first book takes a welcomed highbrow and passionate argument approach to the nine with an aesthetic appreciation: Bela Lugosi and the Monogram 9 by Gary D. Rhodes and Robert Guffey. The other book by Tom Weaver, Poverty Row Horrors! Monogram, PRC, and Republic Horror Films of the Forties, will give you the filmographic data and background. My favorite one of the nine? The Corpse Vanishes; a weird mix (drunken doctor can revive the dead, house with hidden passageways, Lugosi doing Lugosi) that is highly watchable.
The Beast From 20,000 Fathoms (1953)
Mexican Lobby Card
On a relatively modest budget, The Beast From 20,000 Fathoms grossed millions. Beating Godzilla to the theaters, the giant monster here became the first to usher in the oops-we-dropped-an-atomic-bomb-and-this-happens movies that revitalized date-nights for countless teenagers in the 1950s. Ray Harryhausen does an excellent job of bringing the rhedosaurus to life and the script (helped along a little by Ray Bradbury's short story, The Fog Horn), keeps it all moving. Mental Floss provides 11 Deep Facts about the movie, which include the casting of a live reptile to play the monster (bad idea, glad they didn't), and Harryhausen devised the climax at Coney Island (a very good idea).
Johnny O’Clock (1947) Mexican Lobby Card
Dick Powell made an excellent Philip Marlowe in Murder, My Sweet. He plays another tough guy here, successfully going against type (you know, the musical comedy leading man role that Hollywood wanted to peg him to). This Mexican lobby card shows the dames, the look, and the gun, essential elements for any noir crime drama.