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Art/Animation

The Weird Kidz (2023)

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Zombos Says: Crude, Rude, and Good

Watching The Weird Kidz, an animated horror tale from Zach Passero (writer, director, animator) and Hannah Passero (background artist), you get a vibe like this film is fresh out of a VHS cassette cover that was gotten from a mom and pop video store, from that section in back of the store, separated by a beaded curtain, making those videos mysterious, potentially naughty, and usually in need of a little extra kick (just saying) to enjoy with friends; you know, where only the true die hards would venture in search of a change-up from the usual mainstream glossy stuff. So yes, crude, rude, and definitely with hints of 70s and 80s growing up pains, The Weird Kidz can grow on you. It is like watching an X-Files episode done in a Robert Crumb underground comics kind of way, if Crumb was plastered to the walls and did not know what day it was.

The Weird Kidz in cave
It definitely looks like it took 8 years for Passero to draw it, which is not to say that is a bad thing. The lines, the motion, and backgrounds (thanks to his wife) are basic and a bit short of  the word "style," but paired with the story it all works. And given the personalities of his characters, the simple art meshes well with them.

Their dialog delivery and relationship chemistry is much like what you would find in King of the Hill or Beavis and Butt-head. Not the smartest bunch, just simple but earnest and working through the awkward growing-up bits of life.

The most awkward of the bunch is Dug ( Tess Passero), being overweight, not athletic, and pretty good at arcade games. Flashbacks give us his rough connections with meeting everybody else's expectations, but he turns out to be determined in his actions and even-tempered when the monster shows up with It's family. Mel (Glenn Bolton) and Fatt (Brian Ceely) are his closest friends. Fatt isn't, and Mel, like Wyatt (Ellar Coltrane), has more adult stuff on his mind.

That more adult stuff comes into focus when Mary (Sydney O-Donnell) joins the group for a camping trip to Jerusalem Park. Of course, the local legend of the Night Child cryptid munching on people just adds to the campfire spook story effect; until Dug goes missing, Wyatt and Mary almost do it and suffer cryptid-interruptus, and Mel and Fatt get an eyeful of adult stuff with lots of fireworks.

Cue the cryptid  and an unwelcomed spelunking, and the horror takes off from there. More terrifying are the sheriff (Sean Bridgers) and the only-store-for-miles lady (Angela Bettis), once they get involved. That's because they were already involved. Sneaky bastards.

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As the voices go, they work well, but Mary's a bit too copacetic sounding at the worst times, and I would have expected Grumbles the bloodhound to have a lower voice given the balls he carries around (Passero is definitely not a Disney animator). It is also a bit funny watching anyone walk as the motion is abbreviated, but the overall direction keeps the story moving even if the characters are not. Also, either Wyatt is more stoned than he appears or he can take it on the chin much more than one would expect, given he gives one for the cryptid team. And Dug goes one better too, given the circumstances. 

The Weird Kidz is a throwback to the life is hard, then you run from monsters making it even harder period of the 1970s and the growing-pains-suck-but-figure-it-out period of the 1980s. Taking us back to that section of the video store is always iffy at best, but this time around, it is a worthwhile trip.

Night Gallery Art Prints Advertisement

I picked up this advertisement, from 1971, for full color reproductions of some of The Night Gallery portraits. Would love to have these prints instead. Some monster magazines at the time carried advertisements for these prints too. Looking forward to receiving my copy of Rod Serling's Night Gallery: The Art of Darkness, which will show all of the paintings along with commentary and other tidbits of information. One thing you must absolutely do is NOT watch The Night Gallery eps on cable channels like MeTv. Avoid them like the plague. MeTV picked up rights to the 30-minute edited versions that went into syndication. Aside from being butchered to run in a shortened timeframe, they added episodes from The Sixth Sense (also butchered) with Gary Collins and Catherine Ferrar. Rod Serling did new introductions for those episodes, but they aren't Night Gallery. The 30-minute syndicated episodes border on incoherent as editing tricks left them sliced and diced.

Night Gallery

H.P. Lovecraft by Dave Carson (1990)

I was rummaging through the closet today and I found this signed print by Dave Carson. I can't believe it was so long ago that I picked it up. I don't know what's worse: collecting or forgetting what I've collected. I will say it's both depressing that I forgot about it, but exhilirating that I now remember it. While fans and detractors continue to argue over H.P. Lovecraft's influence and racism, his artistic sway over horror fiction and artists remains steadfast. 

Dave Carson Lovecraft Print

SilverHawks Sky-Shadow
An Adventure to Color
Part 1

I was a big fan of the SilverHawks animated television series when it first aired in 1986. I also had collected all of the toys, but sold them a few years ago. The mix of bionics, bird wings, and metal seemed a little like combining DC’s Metal Men with Hawkman and then centering it all in space. I like space adventures. This 1987 Happy House coloring book is pretty cool. I’m fighting the urge to color the pages.

SilverHawks Sky-Shadow coloring book
SilverHawks Sky-Shadow coloring book
SilverHawks Sky-Shadow coloring book
SilverHawks Sky-Shadow coloring book
SilverHawks Sky-Shadow coloring book
SilverHawks Sky-Shadow coloring book
SilverHawks Sky-Shadow coloring book
SilverHawks Sky-Shadow coloring bookSky-Shadow coloring book
SilverHawks Sky-Shadow coloring book
SilverHawks Sky-Shadow coloring book
Part 2

Real Scenery for Popeye Animation

Beginning a new series on Zombos Closet…Travel back in time with me…To yesterday’s tomorrows: Real Scenery for Popeye, Popular Science, November, 1936…

“Fleischer cartoons differed highly from their counterparts at Walt Disney Productions and Warner Bros. Cartoons. The Popeye series, like other cartoons produced by the Fleischers, was noted for its urban feel (the Fleischers operated in New York City, specifically in Broadway), its manageable variations on a simple theme (Popeye loses Olive to bully Bluto and must eat his spinach and defeat him), and the characters’ “under-the-breath” mutterings. The voices for Fleischer cartoons produced during the early and mid-1930s were recorded after the animation was completed. The actors, Mercer in particular, would therefore improvise lines that were not on the storyboards or prepared for the lip-sync (generally word-play and clever puns). Even after the Fleischers began pre-recording dialog for lip-sync shortly after moving to Miami, Mercer and the other voice actors would record ad-libbed lines while watching a finished copy of the cartoon. Popeye lives in a dilapidated apartment building in A Dream Walking (1934), reflecting the urban feel and Depression-era hardships.” (from Wikipedia)

popeye animation popular science
popeye animation popular science

DVD Review: Black Butler Anime Seasons 1 and 2

BlackButler

Zombos Says: Very Good

Tana Yoboso’s dark Victorian fantasy manga, Black Butler (Kuroshitsuji), makes an elegant transition to mature anime directed by Toshiya Shinohara that mixes hand-drawn and computer-animated elements, different scene angles, and manga’s expressive exaggeration to create a strong mood for its colorful–and morose–characters.

Young Ciel Phantomhive seals a Faustian pact with the demon Sebastion, who, in his human form, becomes Ciel’s ever attentive and sartorially splendid butler. Sebastion is bound by the pact to help Ciel find the people responsible for killing the boy’s parents, kidnapping and torturing him, and destroying the Phantomhive manor house, a large estate outside of London. What Sebastion gets in return is the boy’s soul, swallowed whole, when the contract is fulfilled. Their relationship becomes more and more complicated as time goes on, but each remains true to his nature. Or do they?

Seasons 1 and 2 of A-1 Pictures animated series liberally follow the manga stories. In the first episode, His Butler, Able (Sono Shitsuji, Yūnō), Damian, an Italian business man, tries to scam Ciel over Phantomhive’s Funtom Company (toy and confection) business that Ciel now heads, leading to a gruesome comeuppance capped by having Damian cooked in an oven. While not as horrific as it sounds–Damian was bewitched into experiencing his losing moves played on a boardgame–we find out how nasty Ciel and Sebastion can be. We’re also introduced to the other important servants in the Phantomhive manor house who provide the comic relief: Bardroy the cook, Finnian the gardener, and Mey-Rin, the clumsy maid. There’s also Tanaka, former head butler to the Phantomhives, who often appears super deformed (as a really small man holding a green mug of tea).  I don’t know what the significance of him being super deformed is so feel free to enlighten me, but it is funny. In later episodes, Pluto ( a large demon hound) joins the household and Tanaka is seen as a normal adult.

Ciel wears an eye-patch over his right eye to hide the pentagram seal that binds him to Sebastion, and Sebastion must obey every command Ciel gives him. Unless a cat is nearby;  Sebastion is enfatuated with cats . Curiouser characters appear like the Undertaker, a former Grim Reaper (reapers decide if a soul lives on or dies) who craves a good joke, and Angela and Ash, an hermaphrodite angel with two personalities. The Undertaker assists Ciel in his duties as Queen Victoria’s watchdog. The Queen herself is portrayed as alarmingly unhinged: she has a puppet of King Albert to whom she talks to whenever she is troubled. I’m not sure of the cultural nuances of that, either.

As the Queen’s watchdog, Ciel is obligated to protect her’s and the state’s interests and deal with the more shady denizens of London. A drug dealer and his gang fall to flashy silverware slay of hand by Sebastion as he rescues Ciel, and they tear one up with Jack the Ripper, leading to a surprise revelation for Ciel.

Victorian charm is well captured in the animation as well as the darker side of Sebastion. Lots of strong tea brewing and odd closeups of scrumptious deserts provide for lighter moments. You may find yourself snacking heartily during each episode. Bon appetit!