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JM Cozzoli

A horror genre fan with a blog. Scary.

Satan’s Mistress (1982)
Mexican Lobby Card

This is a very large Mexican lobby card for Satan's Mistress. John Carradine did a cameo and Britt Ekland, although top-billed, didn't appear much. This movie came out around the same time as The Entity (which you really shouldn't miss). The card uses two very strong elements: a frightened, vulnerable woman and a pair of sinister, threatening eyes. Note the emphasis on sex and terror to sell theater seats.

El amante de otro mundo

 

Weird Worlds Vol.2 Issue 1
February 1971

Not the best stories of the bunch in this issue, but the artwork is always wonderful. After you read a lot of these magazines you realize that women were either married, looking to get married, or not pretty enough to be married. The men were either heroic, scientists or fools; or married, looking to get married, or not handsome enough to be married. The best stories hinge on revenge, murder or monsters, and dead things looking for revenge or murder. Often enough the married men and women were hellbent on revenge or murder. Oh, and yes, ghosts, ghouls, witches, zombies, vampires, and other assorted nasties churned up the mix too, and were always more interesting than the men or women.

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The Pearl of Death (1944) Pressbook

This, The Pearl of Death, pressbook comes courtesy of director Joe Dante (Trailers from Hell, Gremlins, The ‘Burbs, The Howling, and more). Interesting story: I received an email from Charlie Largent asking if I’d like a bunch of pressbooks from Mr. Dante. Me, I’m thinking I’m being punked or scammed, but it turned out to be true. We worked out the logistics and, well, here we are. I’m always happy to hear from anyone who likes what I post, but when it comes from people like Joe Dante and Charlie Largent, it makes it especially pleasant. And I could never turn down an offer of pressbooks. Never.

Rondo Hatton is especially effective as the Hoxton Creeper, looming large and menacing, and Evelyn Ankers is always wonderful: a solid entry in the series.

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Call Northside 777 (1948) Pressbook

The Wikipedia article for this movie states it was the first Hollywood feature film to be shot on location in Chicago. One of the main reasons I like watching old movies is the glimpse of town and city life, the buildings, the streets, the storefronts, the old cars; that glimpse of a lifetime ago is always fascinating. Call Northside 777 used the documentary-style crime drama approach and was based on a true story. With James Stewart playing the reporter, how could you go wrong?

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Gas House Kids in Hollywood (1947) Pressbook

Alfalfa (Carl Switzer) and Butch the bully (Tommy Bond) from Our Gang are all grown up (mostly) in Gas House Kids in Hollywood. This is the third and last movie in the franchise. They mix it up with a mad scientist and a haunted house and cute “goils.”

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Shadow of Chinatown (1936) Pressbook

You can read a review of this Victory Pictures serial over at The Files of Jerry Blake. Unfortunately, looks like the pressbook is more exciting than the serial or movie versions. Seems a small budget and less creativity kept the pacing and action to a minimum. Bela Lugosi, as always, deserved better.

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The Guilty (1947) Pressbook

Monogram pulls down the noir shades with jumeuax identiques, in this crime whodunit based on a Cornell Woolrich story. (His book, Black Alibi, became The Leopard Man, directed by Jacques Tourneur.) For a budget movie, the pressbook is in color and well presented. I’m not sure the twin sundae idea is a good promotion, but crime and pretty dames times two sells seats anyway.

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