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JM Cozzoli

A horror genre fan with a blog. Scary.

Pirate Treasure (1934) Pressbook

What drew my eye to this pressbook for Pirate Treasure, Universal’s swashbuckling movie serial, was the showmanship page. From lobby stunts, pirate coloring competition, pirate mask and hat, pirate treasure bags, heralds, hangers, and more, it’s a splash of thrills. The stunt work in this serial is noted as stellar too. Yo ho ho!

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Double Shock
Running Wild and Tarantula Insert

Get your bobby socks on. It's a double bill of shock and horror! Just when you escape the juke box jungle the tarantula grows on you (in a bad way). This double bill promotion insert fell out of the Running Wild pressbook I was thumbing through. I'm thinking this made a neat date night movie or drive-in snuggle. I'd think the date night would get more traction at the drive in, but the balcony might do in a pinch. I miss theater balconies. They were filled with mystery along with the sticky floors. Thanks to Trailers from Hell (Joe Dante and Charlie Largent) for supplying the Running Wild pressbook and this pleasant surprise contained within.

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Witches’ Tales Vol. 5 No. 1
January 1973

An interesting escape into the wrong body, Satan dances into mischief, a burning desire flames up, people are doomed, scientists screw up, and the art is to die for (which apparently many people do in horror comics). Enjoy.

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The Hitch-Hiker (1953) Pressbook

Ida Lupino directs a gripping 1950s styled noir that brings home the dangers of picking up hitchhikers. William Talman’s performance (best known for playing Hamilton Burger on the Perry Mason television series, 1957 to 1966) is pitch perfect. He has the face, the voice, and the attitude for nasty in spades. Edmond O’Brien makes the perfect 1950s average Joe pushed to the extreme. This is one film noir you won’t want to miss. This 18×12 inches pressbook is no slouch either.

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Witches’ Tales Vol. 4 Issue 3
May 1972

A puppet carved from gallows wood, a dancer who twirls in the wrong direction, Medusa’s head holds up like granite, and a witch goes for a joy ride on her  broom. And two stories and the undying fiend provide a bit more terror for you in this issue of Witches’ Tales.

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Fort Vengeance (1953) Pressbook

This pressbook for Fort Vengeance is more interesting than the movie. The campaign art promoted the "red savage" theme in the usual way (war paint, axe, feathers, and menacing face). Rita Moreno starred in a cardboard role and sold cardboard bread in a Hollywood Bread tie-in. Interesting to note that bread was a common tie-in (called tie-up here) with westerns, especially for television. The pressbook mentions "the movie was filmed in color to bring out the scenic splendor of the Canadian Northwest, but the movie was shot indoors and outdoors in California. 

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Gentleman Joe Palooka (1946) Pressbook

Clean-living prizefighter makes good. Monogram made 12 movies based on Ham Fisher’s comic character, Joe Palooka. Lots of movies and shorts in the 1940s and 1950s knocked out stories centered around the boxing ring. We tend to label more contemporary comic book inspired movies as franchise, merchandise, and sequel-itis prone properties, but merchandising and repeated entries for a property started decades ago, even before Star Wars. If it’s hot its cloned more than a gaggle of storm troopers, when the force of an insatiable audience kicks in.

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20 Million Miles to Earth (1957) Pressbook

Not until Terry Michitsch sent along these wonderful scans of 20 Million Miles to Earth did I realize William Hopper was playing a lead role in it. Now an ardent Perry Mason fan (the television show with Raymond Burr), Hopper plays Paul Drake, the private detective Mason relies on; so now I need to watch 20 Million Miles again, just to see him in action. TCM’s overview mentions how this movie started filming in Italy because Ray Harryhausen wanted to vacation there. Smart move, combining work and play at the same time, and getting paid for it to boot. Harryhausen’s Ymir is one of his best creations, with a solid personality and superb body design. Given more budget money, and better scripting, this would be an all out classic.

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The Royal Mounted Rides Again (1945)
Pressbook

Courtesy of Joe Dante and Charlie Largent (Trailers From Hell) comes this file copy for The Royal Mounted Rides Again serial. Always interesting are the costs associated with any movie (or serial) promotion. According to the onion skin typewritten page glued (see those annoying brown spots) to page 2, the cost for 6,000 pressbooks came to .233 cents per book; with art work taking 659 dollars for advertising.

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My World Dies Screaming (1958) Pressbook

Terror in the Haunted House, also known as My World Dies Screaming, was the first movie lensed using Psychorama. If you’ve seen The Exorcist, you know what psychorama is: think of those brief flashes of the demon face popping up. In this movie, flashes of a skull were used to subliminally convey terror to the audience, along with other images to convey other emotions. Or so they hoped.

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Walk Into Hell (1956) Pressbook

What’s a jungle without a witch doctor? At least that’s the theme in most jungle movies from the 1950s. See the movie herald. Of course it’s all about oil found in the jungle, which brings out the human wild beasts. The poster art focuses on a victimized white woman, scantily dressed of course, to sell butts in theater seats.

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