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JM Cozzoli

A horror genre fan with a blog. Scary.

Lowes 2023 Halloween Sighted!

Lowes' Halloween offerings for 2023 are going head to head with Home Depot's big is better theme. The smalls, which include some nifty animated and light up novelties, aren't shabby either. The life-size Haunted Mansion care-taker is a keeper (or screamer). The Jack o'Lanterns never looked so evil (you'd look like that too if people kept digging your guts out). And that scarecrow brings a little bit of the autumn harvest, but with bite, for those more traditionally inclined.

Lowes 2023 Halloween 12

Lowes 2023 Halloween 02

Mr. Sardonicus Punishment Poll
Theater Giveaway

From the deep archives of Professor Kinema comes this Mr. Sardonicus Punishment Poll card. While the images are large, the card is small. Really small. You can easily fit it in the palm of your hand with room to spare. But size has nothing to do with coolness, and this card is cool. The thumbs up or down, depending on how you hold up the card, glows in the dark. Another one of William Castle’s clever audience participation gimmicks, movie goers would choose which way the thumb pointed–mercy or no mercy–during Mr. Castle’s prompting at the film’s end. Which would you have chosen?

Mr. Sardonicus Punishment Poll Thumbs Down!

Mr. Sardonicus Punishment Poll Thumbs Down!

 

Mr. Sardonicus Punishment Poll Thumbs Up!

Mr. Sardonicus Punishment Poll Thumbs Up!

 

Night of the Living Dead
Radio Spot

Portable radioGranny Creech on the Classic Horror Film Board is crypt keeper of those radio spots they used to do for movies. I honestly did not think anyone collected them, let alone kept them alive for present and future monsterkids everywhere. So hat tip and wolf-head cane salute to Granny for being generous with sharing this creepy, goosebumps inducing, radio spot for Night of the Living Dead

Play Night of the Living Dead Radio Spot

Fiona’s Guardians
Book Review

Fionas guardians book coverZombos Says: Good

This book review first appeared in The Horror Zine.

In Bram Stoker’s Dracula, there are five points of view to tell the story: five narrative voices that include Jonathan, Mina, Lucy, Dr. Seward, and Van Helsing. Stoker signposts each one with dates so the reader does not get lost in the story as it progresses. Dan Klefstad’s Fiona’s Guardians also uses a multi-narrator approach too, though he uses section headings to mark their first-person narratives as they move back and forth. Pay attention to those signposts because he does switch often. He also tosses in flashbacks, challenging the reader even more to keep pace with the story he unfolds by shifting between past and present events. A weakened element from all this is the why, as his approach, moving between the vampires and the humans, which include Fiona, Daniel, Wolf, Soren, and the rather comical secret religious order of brothers called Mors Strigae, along with some key actions that take place off-page, make their motivations, with the inherent whys and wherefores, a bit vague at times.

Fiona is a century old, give or take, vampire with a long-standing problem. Gone are the nights she could hit up the local village for a few warm pints. She addresses her daily need for blood by hiring special domestic help (guardians) through job postings. The listing promises much but it makes clear that instant death is a possibility if the applicant does not work out, that the position is permanent, that being an orphan is a plus, having a strong aversion to gossiping with the neighbors also much desired, being able to improvise and invest smartly a minimum requirement, and able to tie loose ends neatly or wrap a corpse tightly, complete the job description. Oh, and to find blood, of course, from more civilized sources like hospitals and blood banks (known in the trade as ‘banking’), to keep a low profile.

Wolf is a new hire and Daniel, a long-time guardian, shows him the ropes. Soren, one of Fiona’s more demanding and condescending vampire lovers, makes it tough for the guardians, and Daniel, especially, would like to see Soren burn in the daylight. Complicating the job of keeping Fiona supplied with blood are the brothers of the Mors Strigae, who cannot seem to do anything without making a mess of it. Guns with wooden bullets and drones are their primary weapons as they track down vampires, with Fiona their primary long-time target. Her fellow vampires also start gunning for her, but she’s pretty tricky. She is a female vampire in a male-dominated vampire’s world. To change that she will need to go up against her own kind and the antediluvian vampire who dominates them all.

Brother Raymond and Father Abbott hatch plans or pick up the pieces after those plans usually fail, Daniel and Wolf bicker over the on-the-job training, Fiona and Soren, along with the backstabbing vampires and Mors Strigae politics and power struggles, thicken and enrich the plot. Betrayal, loyalty, some lust, and human and vampire foibles and wickedness complicate who the reader should be cozying up to and rooting for. But their dialogs are a versatile highlight throughout the book, handled expertly and with proper inflexion for each personality. At times it continues past its freshness date, but it never becomes perfunctory or out of character. Through it all, Fiona schemes and maneuvers her way with her own purpose in mind. And she is one vampire who gets what she wants, by smile or by bite.

The Science Fictionary
Book Review

Science fictionary bookZombos Says: Good

This book review first appeared in The Horror Zine.

While writing this review I glanced over to my bookshelves. I am an all-day sucker for reference books, dictionaries of this or that, encyclopedias, guides, and all popular culture compendiums. Right off the bat, I spied The Dictionary of Satanism, The Dictionary of Imaginary Places, and Brave New Words: The Oxford Dictionary of Science Fiction. Out of sight were the Doctor Who and Star Trek dictionaries, and a dozen or so similar books invaluable to any writer or reader of any fictional universe.

The Science Fictionary by Robert W. Bly is a needed addition to the reference shelf with essential tidbits, descriptions and definitions across its pages, fostering those neat nostalgic flashbacks or wonderful new explorations into the many threads that weave the fabric of our literary and cinematic cultures. The strength of Mr. Bly’s work is that he has the temerity to include horror and fantasy along with the science fiction. Honestly, although horror makes the hard money, it is science fiction that usually brings prestige; and fantasy often splinters between both, creating a pivot that can go either way. Science fiction dictionaries focus mostly on literary sources, too, which can all be very snobbish indeed. Bly goes against such convention and his ambitious undertaking finally brings the whole media family together, creating a more rewarding and enriching experience for the modern, multi-faceted fan, who realizes one does not live by just science fiction or fantasy or horror, but is enriched by all three.

Pulling from rich sources that include movies, books, mythology, and television series, there are entries like my childhood favorite anime, ‘Tobor’, the 8th Man, a robot who ‘smokes’ cigarette-like power cells to recharge, and ‘Ubik’, an aerosol spray that gives people new vigor and energy. The Oxford Dictionary of Science Fiction does not mention these. It also does not mention ‘Asphyx’ or ‘Drakulon’, but Bly does. Any knowledgeable comic book fan knows that Drakulon is Vampirella’s home planet. And for anyone into odd, little known horror movies, the Asphyx is the aura that surrounds people just before they die and also refers to the name of the creature ready to snatch it away (as well as the title of the movie). Bly may make some new fans by including such entries.

His entries vary between common inclusions and ones you may not find elsewhere. His writing style is concise and leaves out dates and extensive source citations, making for a more casual reading focused on explanations. At times, those explanations could use a little more depth. For instance, reading the ‘Jefferies Tubes’ entry, while the description notes they are maintenance conduits aboard Starfleet vessels, the origination of the term is missing but important. An extra sentence pinning that unique set design to Matt Jefferies, who designed the original Enterprise, is an important acknowledgement. The same can be said for the ‘Dalek’ entry, where Peter Nation, who thought of the famous cyborg enemy of Doctor Who, along with Raymond Cusick’s stark design, should also be cited. But then Bly goes one better than the Oxford Dictionary of Science Fiction by giving a better description of the Daleks and even mentions Davros, their infamous creator.

If you are thinking that today’s internet, Wikipedia, and various online fan-related dictionaries and resources make books like The Science Fictionary obsolete, you would be wrong. Way wrong. Pick up a copy, either print or digital, page through it, highlight the new and relish the familiar, but explore its pages. You may just hear the words of Carol Marcus in the Wrath of Kahn: “Let me show you something that will make you feel young as when the world was new.”

Having all that science fiction, fantasy, and horror information finally in one book, at your fingertips, may just be that exhilarating for you.

Cat People (1942) Pressbook

Cat People is the movie that proves B movies can be awesome. "It all takes place in a wickedly enchanted 1942 New York City, where a leopard screams at night in the Central Park Zoo (“like a woman,” says Irena). Seventy-two years after its shoot, Cat People still seems chillingly alive, a dark, sleek feline of a film, purring with Lewton’s two pet fetish fears—cats, and being touched" from The Very Witching Time of Night: Dark Alleys of Classic Horror Cinema by Gregory William Mank. 

Comics Reader version: Download Cat People

Cat People 01

Cinderella (1950) Campaign Book – B

You can see the Cinderella Campaign Book – A (pressbook) over here. This Campaign B part of the pressbook contains the amazing, and versatile, marketing tie-ins and promotions for the movie. Beginning with Mickey Mouse, Walt Disney saw the potential of revenue streams coming from the Disney characters. Starting with Snow White and the Seven Dwarfs, Disney’s movie merchandising simply exploded from that point on. Of course, toy tie-ins for his children’s fare did very well, while misfires like the toys for The Black Hole (1979), an ambitious if somewhat obtuse allegorical science fiction leaning on the darker side, scared the kids more than enthralled them. Disney’s best foray into the supernatural is the suspenseful The Watcher in the Woods (1980) with Bette Davis.

Comics Reader version: Download Cinderella Book B

Cinderella Book B 01

Cinderella (1950) Pressbook

This is the original release pressbook for Cinderella (1950).  It is noted as Campaign Book A because it was accompanied by Campaign Book B, which contained a record-making amount of merchandizing. I will post Book B, shortly. This one, with 20 pages of promotional goodness, is pretty amazing all by itself. Disney was incredible at tie-ins merchandising for all of their animated movies. After Pinocchio (too dark), Bambi (too real), and Fantasia (too cerebral) didn't do well at the box office, putting Disney in the red, Cinderella (just right with its struggling local girl makes good story) saved the day. 

Version for your comics reader: Download Cinderella Pressbook

There are more pressbooks to try on for size, From Zombos' Closet!

Cinderella 01

The Wizard of Oz Animated (1990)
Promo Brochure

Digging deep into the closet, I found this promotional brochure from Turner International for the animated Wizard of Oz (1990) television series. It is a simple pop-up when you open it, but eye-catching, nonetheless. I am a big fan of pop-up books (and who isn't?). In this animated version (and there were actually quite a few animated versions), Dorothy returns to OZ and kicks it up with old and new friends (and enemies).

Wizard of oz 04

Shaolin Wooden Men (1976)
Mexican Lobby Card

Back in the 1970s, to catch a martial arts movie, you had to find a theater running them. Those theaters were not your usual mainstream fare ones. This was also known as, oh yeah, go to Times Square in New York City and mind the theater seat you sit in, because you never know what they were playing before the Kung Fu movies hit the screen. Or you had to find a more offbeat theater running Bruce Lee, Jackie Chan (yup, a misspelling on the card) or some Chinese martial arts opus somewhere in the more interesting areas of the city. But boy were those movies worth it. Between the horror movies and martial arts movies, and the graffiti, it was certainly a colorful time for those seeking different cinema fare. This poster-like Mexican lobby card packs a nice punch with its illustration and inset action scene.

La serpiente contra los hombres de madera

Comixscene Doc Savage and The Shadow

From the first issue of Comixscene (1972), Jim Steranko's news and history newspaper for comics art, come this Doc Savage centerfold and The Shadow splash page. The centerfold has Steranko's Doc surrounded by images from other notable artists. The splash page is the image that netted Steranko's work for The Shadow with DC. Both are awesome. Comixscene was very much like The Monster Times, although with less graphics and more text for each article. In his comics work, Steranko brought a new, adult intensity to his layouts, characters, and action sequences, melding pop art elements within the comic page that were mind-bending and ground-breaking for young guys like me reading his Nick Fury Agent of S.H.I.E.L.D. My favorite memory of him is when I saw him during an early Phil Seuling-organized comic convention, behind his table, with two femme fatales at his sides. He was smartly dressed to the nines, and completely not conforming to the usual decorum for comic artists back then. I still don't know if he was doing a put on or he was serious, but man, he could draw like no one else so why not act like it? As I recall, he was also around my height (that would be…not tall), and he dabbled in escapology (which I was also doing at the time), so he reminded me of Houdini. He had the that tough, secure attitude too.

Steranko doc savage comic scene
Steranko shadow comic scene

El Secreto de Pancho Villa (1957)
Mexican Lobby Card

Here's an atmospheric larger Mexican lobby card (more like a small poster) for The Secret of Pancho Villa. The left and right skulls take the background as the dark-clothed mysterious masked figure, carrying the unconscious woman, takes the foreground. He is the hero, the Avenging Shadow. The layout is rough, but it has that cut and paste of highlights rush job aspect that is rather engaging because it is easy to take in. 

El secreto de pancho villa 01