Here are the centerfolds for 47 issues (complete run was 48 plus specials) of The Monster Times magazine from the 1970s. Not familiar with The Monster Times? Read all about it. Issue 23 was not printed in tabloid format but was magazine-sized, so didn’t have a centerfold. Instead, it had three color pages spread throughout the issue. Issue 39 also did not have a centerfold, but focused on the classic monsters. I included the page for Frankenstein’s monster, though it wasn’t in color, as an example. Issue 44 reprinted the centerfold from issue 7. If you’d like to read the issues, you can find them here. Just do a search on them. At one point Fangoria was looking to rekindle the brand name and post the issues, but that never materialized.
I highly recommend Welcome to the Monster Times, another, more insanely organized, archive for TMT. A final note: TMT was printed on newspaper, a cheap and highly acidic medium. Combined with some iffy printing, the images are hard to capture in their original glory. I did work on these to present the best visual quality I could muster without ruining the original vibe, so I hope you enjoy them as much as I do. And if you decide to grab a few issues off of eBay, make sure to hang up the centerfolds in your man cave or she shed or whatever you call your cave. Be cool like a monsterkid.
The Monster Times 1 Bernie Wrightson Frankenstein MonsterThe Monster Times 2 Star Trek Centerfold
Granny Creech with Uncle Edgar’s brain: Wanna touch it?
Greetings, lovers of all things Halloween!
Have you all recovered? Mercy, it has been a week to remember! Everyone here in Squirrel Hollow is still talking about how much fun Halloween was this year and how successful our Monster Bash was.
Let me tell you all about it. It first started with the annual Trick or Treat time in town. All the houses were decorated so lovingly with jack o’lanterns, ghosts, spiders, skeletons and assorted creepy scenes eerily lit to add to the scary mood. At my house I had my usual CD playing various screams, moans and haunted house sound effects to entice the little monsters to my door…if they so dared, and they came in droves.
Once there, I welcomed them with the sad news that Uncle Edgar had died earlier in the week, but that we had his brain preserved and floating in a large jar of formaldehyde. They could touch it if they wanted, and many did. Others said, “No!” (Hee hee). After that my trusted assistant, Creepy, offered them some rubber bugs and worms, and edible treats. Lastly, I offered the female monsters a mouse that I had caught in the basement earlier in the day. Again, many accepted the creepy, wriggling little critters while others shrieked and ran away. It was all fun and exciting.
Uncle Oscar, caretaker of the Witchwood Cemetery.
At midnight, everyone gathered at the Witchwood Cemetery for the Monster Bash. What a time! All the residents turned out for the party, and it was a blast. We had food of all kinds…eyeballs (grapes), veins and arteries (spaghetti), fresh cadaver meat (hamburgers) and finger sandwiches (!), as well as all the Witch’s Brew you wanted. Great Granddaughter Grizelda brought her old cassette player and the 1962 “Monster Mash” album supplied the dance music.
After a while, we had the best costume awards, and then Uncle Oscar, caretaker for the cemetery, entertained everyone with stories of the origin of the cemetery and of its first residents. He concluded with a few short ghost stories and then… it was time for the finale…the best scream contest.
We had thirteen contestants and the winner was Sophronia Hauntshade who let loose with a blood-curdling, mournful wail that seemed to last forever. It was loud enough to wake the dead…if they hadn’t already been awake and partying with us, and it echoed through the countryside. (It was later reported in the newspaper that residents of the Crescent Hotel in Eureka Springs heard it wafting through the Ozarks ‘way over there and wondered who had been murdered).
Winner of the Scream Contest: Sophronia Hauntshade.
After everyone’s ears had stopped ringing, she was awarded the Scream Award Urn for her efforts.
Morning was approaching and everyone bid each other goodbye, the residents of Witchwood returned to their assigned places and we all went home, tired but exhilarated from the day’s events. It was a night to be remembered and talked about for weeks to come.
And, dear children, that is how my Halloween went. It was a night of fun, spooky imaginings, candy, treats, and make believe. I hope yours was equally memorable.
Next week…radio spots for a monstrous double-feature from 1959!
Creepy welcomes visitors to the treat table.
Winners of the various costume contests at the Monster Bash. Photos taken by Big Abner Creech with his vintage Kodak camera.
Longtime ZC reader, West Nelson, sends along this Florida Frontiers Radio Program Number 565 with Ricou Browning. The full show is very interesting, so I recommend you give it a listen. This snippet contains the Ricou Browning segment. In it he talks about the Gill-Man and Flipper. (Thanks, West!)
Count Yorga, Vampire, helped bridge the Victorian-styled, mostly in the country vampire, to the urban vampire, prowling city streets for his (or her) next victim. Holding this movie back from becoming a more impressive note in the history of cinema vampires is its bare bones budget and lack of style in direction. Robert Quarry is a standout in the role, but he’s given a pedestrian script that lacks nuance and vitality. That aside, it did spawn a sequel, so the box office was less lifeless than the movie.
Here are some naughty terror tales to keep you busy while munching on your candy swag from trick or treating. Of course, if you’re an adult, you can just buy the stuff and pig out (a perk, really, no begging involved, and you can avoid the weird things some people think make good treats). This magazine will definitely not cause cavities, but may give you nightmares. We can only be so lucky.
We are finalizing plans! Me, Hester Grimple, Vespera Howler and Winifred Hawthorne enjoy a cup of my brew while discussing the decorations and activities for the Monster Bash. It’s going to be a scream!
Greetings, My Children!
Old Granny Creech here just bursting with excitement! Why? Because it’s Halloween week! Things have been very busy in Squirrel Hollow because we’ve all been getting ready for our annual Monster Bash at the Witchwood Cemetery late Halloween night. It promises to be the best ever as we have a lot of new residents eagerly waiting to join the festivities.
For this installment of radio spots, I’ve decided to feature 15 odds-and-ends that capture the wide spectrum of spooks and apparitions that will surely make an appearance at your house this Halloween evening to terrorize and torment you. I hope you appease them with some delectable treat of some sort, dead or…alive (hee hee). These spots are from my collection and that of the old cadaver himself, The Radio Reaper.
I’ll be back next week to see how you all survived and to give a report on the ghastly goings-on at the Bash. Oh…and by the way…you are invited if you dare to come and join in the fun after you’ve finished appeasing the little monsters that come to your door. The party starts at midnight. Just wear your favorite disguise or, if you are scary enough, just come as you are. We all will be there. There will be lots to do and goodies to eat. Plus, lots of my Witch’s Brew to go around!
I hope to see you there! Bring a date, if you can dig one up. And, remember: “Don’t spook until you’re spooken too!” Beware!
Happy Halloween!!
4D Man, Circus of Horrors, The Blob and Dinosaurus Radio Spots
The Creeping Flesh, The Green Slime, The Haunted Strangler, The Thing From Another World, Thirteen Ghosts (Lobby Spot) Radio Spots
Paul McVay over at It Came From Hollywood dug deep to find these radio spots. Here’s what Paul had to say about them.
“Filmways had barely completed their purchase of American International before rushing out massive movie marathon packages to any exhibitor who would take them, and to their credit, it was a pretty smart idea. Attempting to recoup as much money as they could on their investment before they themselves went bankrupt.
“Filmways put together four black-film-oriented movie packages that appealed to every kind of theater and every time of day. Represented here are two of the four packages, Black Classic Unit 2 & Black Classic Unit 4. They include the “All-Day Motion Picture Marathon,” the All-Night Motion Picture Marathon, and the ultra groovy Dusk-To-Dawn Drive-In Movie Marathon. The movies included in the Black Classic Unit 2 package were Truck Turner (1974), Cooley High (1973), Bucktown (1975), and, for some reason, Kung Fu Killers (1974). Each cut is tailored to that specific movie-going experience, be it all night at the Drive-in, all night at your local hardtop or if you weren’t encumbered by a job, all day long in your favorite local theater.
Black Classic Unit 4 included Friday Foster (1975), Slaughter (1972), Cornbread, Earl, and Me (1975), and Black Mamma, White Mamma (1973.) There are three 60-second cuts for each package for a total of six 60-second spots. All are highly polished with film audio drop-ins, sound effects, and some wonderful funky backing tracks. All six spots are different from each other. This was, perhaps, the last time radio advertising for film was this satisfying.”
Black Classic 2-All Day Motion Picture Marathon
Black Classic 2-All Nght Motion Picture Marathon
Black Classic 2-Dusk to Dawn DI Movie Marathon
Black Classic 4-All Day Motion Picture Marathon
Black Classic 4-All Night Motion Picture Marathon
Black Classic 4-Dusk to Dawn DI Motion Picture Marathon
Lloyd Bridges only movie serial, Secret Agent X-9, also featured two actors who played Charlie Chan’s sons in that popular movie series, Key Luke and Benson Fong. Going after a synthetic fuel formula provides the motivation for thirteen chapters of action and cliff hangers. Universal was unique with their serials by not providing the traditional chapter recap of the story so far. Instead, they had characters in a following chapter recap, through their dialog, what transpired in the previous chapter (as noted inGripping Chapters: The Sound Movie Serial, by Ron Backer, BearManor Media). Universal did a Secret Agent X-9 serial in 1937 too. That storyline centered around stolen jewels. Both serials were based on the comic strip character of the same name written by Dashiell Hammett and drawn by Alex Raymond.
Myron Fass of Eerie Publications came out with this non-comic look at Dracula in 1976 (with the short story, Dracula’s Guest, by Bram Stoker, included). It was followed up with another one-shot, Revenge of Dracula, in 1977. Both covers featured Bela Lugosi as the undead count. In Revenge, Sheridan Le Fanu’s Carmilla was added. John Thomas Church provided the non-prose content for both. Revenge was the last magazine to be published by Myron Fass under the Eerie Publications name as he and Stanley Harris split over differences and Harris took the name with him in 1977.
In The Weird World of Eerie Publications by Mike Howlett (Feral House), he recounts how things came to a head. Fass kept a gun in the office. “In the summer of 1976, there was the typical tension in the air, and Myron Fass was storming around the office after having a heated argument with Harris. He retreated to his office and then a gunshot rang out.”
“It was really loud, and everybody freaked out, Howard Smukler recalled. “We had a number of gay editors/artists, or at least non-violent English major types, and they were really going nuts.” The shot went through the wall into Harris’ office, barely missing him.
Dynarama at work! The fight with Kali. Ray likes animating multiple appendages in sword fights!
Wow! I didn’t know last week’s article would have such a reaction!
The gang and I went to Witchwood Cemetery to plan our layout for the upcoming Monster Bash on Halloween and I was besieged by countless apparitions, spooks, cadavers and assorted goblins all wanting to tell me what their favorite Harryhausen film is. They also wanted to share their favorite scenes and why they liked them and how great the effects were. The responses were as varied as the ghouls themselves. We all set around on various tombstones sharing recollections and stories about these films. They truly have had an impact on monsterkids past and present.
After a few hours of sharing, the gals and I did eventually get to plan for The Bash as most of the ghoulish beings had made their way back to their assigned places of repose. I was exhausted from all the talking and moderating the discussions. They liked my radio spots and were excited to see what this week’s entry would bring.
Sadly, I just have two remaining titles to feature, and the movies are some of Ray’s best: The Valley of Gwangi and The Golden Voyage of Sinbad.
The awe-inspiring roping scene in The Valley of Gwangi. Ray at his best!
What can I say about The Valley of Gwangi? The visual effects are near perfect, especially the roping scene between the cowboys and Gwangi. I am still amazed by that sequence and can appreciate the time that went into filming it. Matching the miniature model ropes to the live action plate ropes is something to see! I just wonder how many trips Ray made from the camera’s viewfinder to the model stage and back to ensure the perfect lineup? He had more patience than I ever did! I’m also sure that sequence brought back bittersweet memories of working with his mentor Willis O’Brien on a similar set-up for Mighty Joe Young. Obie would have been proud of the Gwangi one.
In addition, the battle between Gwangi and the elephant surely caused him to harken back to his days working on 20 Million Miles to Earth. This time, though, the sequence is more brutal, as it is plain Gwangi is out for blood and not merely defending himself as the Ymir was. Also the initial appearance of Gwangi is well done and comes as a surprise. Imagine chasing a little critter only to run into a full-grown Allosaurus. Whoops! Better turn around quick!
Ray at the animation stand in front of his large rear-projection screen.
I watched Sinbad the other day just to refresh my memory of it and was surprised how really good it is. The locations and set pieces were some of his best. It has a grittier look about it compared to 1958’s The Seventh Voyage of Sinbad. Characterizations are good and John Phillip Law does an admirable job as Sinbad. And don’t forget Caroline Munro: She was one of the highlights of the film for most male monsterkids.
The spots for The Valley of Gwangi are effective, although they don’t tell the whole story. My only gripe with them is Gwangi’s roar: Did Rodan fill in for him? The spots for The Golden Voyage of Sinbad are somewhat different from what we are used to. It was the ‘70s after all.
So, I present them here as the end of my two-week tribute to Ray Harryhausen, the man who had an effect on many monsterkids through the years. He was a pioneer and an inspiration to us all. He will live on through his movies, and his movies will still make us wonder, ”How did he do that?”
The Golden Voyage of Sinbad Radio Spots (including those done by Stan Lee)
Valley of Gwangi Radio Spots
Lobby card showing the battle between the griffin and the one-eyed centaur.
Do you have any movie radio spots you would like to share? Contact Gary at [email protected].
I’m not sure why The 5000 Fingers of Dr. T is “the greatest merchandising picture.” Oh, wait a minute…yeah, okay. With the “greatest merchandising campaign ever prepared” it does have a lot of merch and tie-ins going for it. I would say, though, that I lean more toward Star Wars being the greatest merchandising picture, given the amount of toys, clothing, decorations–you name it–that it has generated over the years. One thing: merchandising for pictures didn’t start with Star Wars; SW certainly took it to a whole new level, but product placements and merchandising off a film have been part of the movie business for many years. Still, this one is impressive.
This bare bones pressbook from Commonwealth United Entertainment for Dayton’s Devils, focuses on images of the actors with some minor article-publicity. The poster art also hypes Lainie Kazan (a Brooklyn girl) singing the song Sunny. She also starred in the movie (though I remember her mostly from Columbo). It Came From Hollywood, always one for AIP-related movies, sent this one along because AIP acquired domestic film rights to it in 1971 when Commonwealth’s 80 or so million in debt forced it to shutter. Before that, though, it was a heavy-hitter, with notable films like Venus in Furs, The Ballad of Tam Lin, and The Magic Christian. You also have some great actors in this ensemble heist movie, though I’m not sure robbing an Air Force base of its payroll is a good payday at all. The year is 1968, however, so a little does go a long way, unlike today. Of course, the movie follows the usual seven men, one woman format, and the elaborate plotting of the heist, and the–oops!–didn’t plan for that, did we? moments.
